SAGE Journals » Critical Studies in Television
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Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions to any aspect of television-production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms, and pedagogical questions.
SAGE Journals » Critical Studies in Television
2w ago
Critical Studies in Television, Ahead of Print.
This article explores both US and European streaming shows that feature a protagonist in scenes of queer youth sex, focusing on how the show treats and frames these scenes as constitutive of a broader representational narrative of queer youth sex(uality). By comparing US and European shows, I argue that queer pleasure supplants panic featured in each show by framing the scenes of queer youth sex as destigmatized and even mundane ..read more
SAGE Journals » Critical Studies in Television
2w ago
Critical Studies in Television, Ahead of Print ..read more
SAGE Journals » Critical Studies in Television
2w ago
Critical Studies in Television, Ahead of Print ..read more
SAGE Journals » Critical Studies in Television
3w ago
Critical Studies in Television, Ahead of Print ..read more
SAGE Journals » Critical Studies in Television
3w ago
Critical Studies in Television, Ahead of Print ..read more
SAGE Journals » Critical Studies in Television
1M ago
Critical Studies in Television, Ahead of Print.
Considering the implications of Netflix’s role as a content producer for cultural diversity in Europe, this methodological article investigates how to define and measure the locality of Netflix Originals. We employ a threefold methodological study based on industry data analysis, audience reception research, and content analysis. This replicable and scalable methodological design provides a solid analytical framework for future studies examining Netflix Originals from the normative perspective of cultural diversity. Demonstrating the steps of our ..read more
SAGE Journals » Critical Studies in Television
2M ago
Critical Studies in Television, Ahead of Print.
WandaVision launched the Disney+ subscription video-on-demand (SVOD) platform by blending the sitcom and the superhero genres in a nostalgia-inducing fusion of Marvel comics, cinema and television. The series represents the canonisation of Marvel media into a single cohesive narrative ‘multiverse’, yet the story focuses on the personal experience of the character, Wanda, and her struggle with loss, grief, and Post-Traumatic Stress Disorder (PTSD). In this article, we explore how WandaVision presents a unique examination of the tension between the ..read more
SAGE Journals » Critical Studies in Television
3M ago
Critical Studies in Television, Ahead of Print.
Ted Lasso (2020-present) follows American Football coach, Ted Lasso, as he transforms the waning English Premier League team, AFC Richmond, through his relentless optimism and his mantra of ‘believe’. The show has been praised by critics for its emphasis on kindness and particularly for its exploration of ‘positive’ and ‘vulnerable’ masculinities. It is placed front and centre not just in promotion for Apple TV+ but also for the broader Apple brand which is heavily integrated into the show’s storyworld. Through a textual analysis of the series, t ..read more
SAGE Journals » Critical Studies in Television
3M ago
Critical Studies in Television, Ahead of Print ..read more
SAGE Journals » Critical Studies in Television
3M ago
Critical Studies in Television, Ahead of Print ..read more