The Film Music Institute » Film Music Magazine
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Read the interviews with the top composers in the Film Industry in the Film Music Magazine. The Film Music Institute, one of the industry's most established and long-running professional education providers for the film and television music industry, was founded in 1996.
The Film Music Institute » Film Music Magazine
10M ago
Playing a doorbell of doomsday with a “Knock at the Cabin ..read more
The Film Music Institute » Film Music Magazine
11M ago
In the annals of murderous dolls and mannequins that span “Dead of Night” to “Magic,” “Dollie Dearest” and “Dead Silence” (and of course a little red-haired boy toy psychopath), there’s never been a friend to the end rivaling the technical sophistication, or smart social satire of “M3gan.” The latest acclaimed techno thriller to herald from ..read more
The Film Music Institute » Film Music Magazine
1y ago
Playing a translated story again for a notable last act in “Living ..read more
The Film Music Institute » Film Music Magazine
1y ago
"Avatar: The Way of Water" leads an impressive wave of Top Scores, their Runner's Up and The Composers To Watch in 2022 ..read more
The Film Music Institute » Film Music Magazine
1y ago
A rising composer flies high with the airborne bond of “Devotion ..read more
The Film Music Institute » Film Music Magazine
1y ago
Serving up several musical courses of delicious black humor for “The Menu ..read more
The Film Music Institute » Film Music Magazine
1y ago
A filmmaker and director-turned-composer on their thrilling views with “The Girl at the Window ..read more
The Film Music Institute » Film Music Magazine
1y ago
In 1987, author-turned-director Clive Barker showed desirers of extreme pleasures that opening an ornately designed box would turn their depraved wishes to tortuous nightmares. His stunning debut feature “Hellraiser” not only unleashed a new level of graphic gothic madness on screens, but it also put flesh on the bones of upcoming composer Christopher Young’s career ..read more
The Film Music Institute » Film Music Magazine
1y ago
If social media and the selfie desperation for recognition has made monsters of us all, then “Sissy” is the Norman Bates for a generation scarily obsessed with being golden gods for their thumbs up followers. For while she’s all smiley faces while dispensing advice to her emotion-of-the-second followers, the blog obsession of Sissy / Cecila ..read more
The Film Music Institute » Film Music Magazine
1y ago
Giving a bad-ass groove to Allison Janey ..read more