Newcastle upon Tyne, U.K. Hatton Gallery Only seven sculptures make up Katie Cuddon’s exhibition “A is for Alma” (on view through May 4, 2024), all made since the birth of her daughter. The abundance of space and the strangeness of the light are immediately striking. The post Katie Cuddon appeared first on Sculpture ..read more

Artist and inventor Andrés Aizicovich uses his objects and installations as a means to reimagine the dynamics of communication. Suspicious of the hyper-connectivity of modern life and concerned by the deterioration of the social fabric, he aims to restore the power of perception while encouraging collaborative encounters through alternative forms of contact and interaction. The post Making Contact: A Conversation with Andrés Aizicovich appeared first on Sculpture ..read more

Edith Karlson, who will represent Estonia at this year’s Venice Biennale, belongs to a generation of Estonian sculptors who, throughout the past two decades, have broken from the monumental austerity that enmeshed the medium for much of the previous century, when it was inevitably employed to propagate the ideology of the Soviet state apparatus. The post Manual Dexterity Equals Freedom: A Conversation with Edith Karlson appeared first on Sculpture ..read more

Camden, New Jersey Stedman Gallery, Rutgers University-Camden Margery Amdur’s “Seams to be Constructed” (on view through April 12, 2024) continues in the tradition of female-identifying artists questioning the hierarchy of gendered materials, upending ideas around high and low, as well as finished versus in progress. The post Margery Amdur appeared first on Sculpture ..read more

Con el norte puesto en la exploración de la geometría mediante materialidades diversas, la artista visual y diseñadora gráfica Valeria Seoane, se vale de las técnicas mixtas, el collage, la pintura y el dibujo para transitar su búsqueda. The post Geometría infinita: Una Conversación con Valeria Seoane appeared first on Sculpture ..read more

The practice of Shiro Masuyama, a Japanese artist currently living in Northern Ireland, is eclectic, ranging from installation, film, sculpture, and photography to performance. He uses these tools to create socially engaged art that often veers into the directly political. The post From the Outside: A Conversation with Shiro Masuyama appeared first on Sculpture ..read more

Belgian artist Camiel Van Breedam launched his career in the late 1950s, when peinture informelle (abstract gestural painting) was still going strong. At an early stage, he made the leap from abstract geometric painting, with an emphasis on matter, to assemblage sculpture and collage—works, both formalist and historicizing, made from ordinary laborer’s tools and the remnants of shuttered factories, and often fraught with meaning. The post Love, Hope, and Socialism: A Conversation with Camiel Van Breedam appeared first on Sculpture ..read more

The Private Eye in Public Art by Joyce Pomeroy Schwartz (ORO Editions, $50.) Public art has undergone epochal shifts over the past half century, as Joyce Pomeroy Schwartz tells (and shows) us in The Private Eye in Public Art. The post Going Public appeared first on Sculpture ..read more

New York James Cohan In a photograph taken during the installation of Diane Simpson’s first solo exhibition, presented at Chicago’s Artemisia Gallery in early 1979, the artist kneels on the floor, surrounded by scattered stacks of variously shaped, slotted cardboard panels. The post Diane Simpson appeared first on Sculpture ..read more

“People are not naïve in the way that they approach objects,” Grenville Davey told British cultural critic Tim Marlow in 1993, “but there are other possibilities, however oblique.” Davey’s sculpture deals with those “other possibilities,” particularly the place of the human within the physical world as material fact. The post Grenville Davey: Duality Paradoxes appeared first on Sculpture ..read more