Tric and Heppa negotiate with saurians. Scene 10 Scene 11 Scene 12 GM Notes This arc, we used a number of video game units to help flesh out our story. Tric imagined Breda as an Elvish Captain. Quemilya’s magic theory discussion was influenced by the Sorceress write-up, as Tric’s training is by the one for the Elvish Lord. And some of the rapid-seeming changes in the society of our short-lived saurian allies came from the descriptions and artwork of such units as Skirmisher, Ambusher, and Soothsayer. Some cultural details are pulled from the general overview of saurians on the Wesnoth wiki ..read more

Mariah and Cleve get unexpected help reaching the main Morgan dome. Scene 1 Scene 2 Scene 3 Our music is from Purple Planet Music. Visit them at purple-planet.com. Need context? Jump to the start of the series ..read more

Tric and Heppa return to the Foul Fen. Scene 8 Scene 9 Our character art by Del Borovic and the map we refer to (by me!) can be found here. Our music is sampled from Return to Wesnoth by Matthias Westlund (aka West), licensed under CC BY-SA 4.0, part of The Battle for Wesnoth Project. Visit them at wesnoth.org. Need context? Jump to the start of the series ..read more

Pastor Thara shows off the wreckage of the colony pod. Scene 13 Scene 14 Scene 15 Scene 16 GM Notes This is the first we hear of Pravin Lal, who you might know as another faction leader from the Alpha Centauri video game. There, he leads the Peacekeepers, a democratic group devoted to the original Unity ideals. In our game, it remains to be seen what kind of society he heads. Our music is from Purple Planet Music. Visit them at purple-planet.com. Need context? Jump to the start of the series ..read more

Additional allies arrive to join the fight against shadow mage Godol and his Rat confederates. Scene 21 Scene 22 Our character art by Del Borovic and the map we refer to (by me!) can be found here. Our music is sampled from Return to Wesnoth by Matthias Westlund (aka West), licensed under CC BY-SA 4.0, part of The Battle for Wesnoth Project. Visit them at wesnoth.org. Need context? Jump to the start of the series ..read more

The team deals with the repercussions of Dr. Citali’s errant pistol shot. Scene 11 Scene 12 Scene 13 Our music is from Purple Planet Music. Visit them at purple-planet.com. Need context? Jump to the start of the series ..read more

The current inhabitants of Cliff Island are not thrilled to have visitors. Scene 12 Our music is from Purple Planet Music. Visit them at purple-planet.com. Need context? Jump to the start of the series ..read more

Thrandolil’s research begins to cause disquiet in the young elves who have been performing his field work. Scene 4 Scene 5 Our character art by Del Borovic and the map we refer to (by me!) can be found here. Our music is sampled from Return to Wesnoth by Matthias Westlund (aka West), licensed under CC BY-SA 4.0, part of The Battle for Wesnoth Project. Visit them at wesnoth.org. Need context? Jump to the start of the series ..read more

Mariah and Cleve explore Cliff Island with a ranger and an ensign. Scene 8 Scene 9 Scene 10 Scene 11 Our music is from Purple Planet Music. Visit them at purple-planet.com. Need context? Jump to the start of the series ..read more

Tric and Heppa return home with presents and news of the wider world. Scene 1 Scene 2 Scene 3 This arc contains spoilers for the Battle for Wesnoth campaigns Eastern Invasion and South Guard. There are also references to A War of Life and Death, a User-Made Content campaign. Our character art by Del Borovic and the map we refer to (by me!) can be found here. Our music is sampled from Return to Wesnoth by Matthias Westlund (aka West), licensed under CC BY-SA 4.0, part of The Battle for Wesnoth Project. Visit them at wesnoth.org. Need context? Jump to the start of the series ..read more