In the second half of our first series, join Communications Officer Hermione Kellow as she explores some of the most pertinent issues currently being faced by the modern classical music industry. In this episode, she explores the pressing matter of climate change, addressing concerns around sustainability and the impact that the industry may be having on the wider world. In this episode she invites Chris Spinato (communications manager for American non-profit environmental organisation REVERB), Paddy Dillon (Co-Ordinator for UK based initiative The Theatre Greenbook), John Warner (Founder of O ..read more

In the second half of our first series, join Communications Officer Hermione Kellow as she explores some of the most pertinent issues currently being faced by the modern classical music industry. In this episode, she explores the pressing matter of climate change, addressing concerns around sustainability and the impact that the industry may be having on the wider world. In this episode she invites Chris Spinato (communications manager for American non-profit environmental organisation REVERB), Paddy Dillon (Co-Ordinator for UK based initiative The Theatre Greenbook), John Warner (Founder of O ..read more

In the second half of our first series, join Communications Officer Hermione Kellow as she explores some of the most pertinent issues currently being faced by the modern classical music industry. In this episode, she explores what it means to be a classical musician today and what the future of the industry appears to be. In this episode she invites Imogen Whitehead (Southbank Sinfonia alumnus, Trumpeter), Hannah Fiddy (Co-founder and Director of Alternative Classical), Ellie Consta (Founder of HER Ensemble) and Emily Abdy (nonclassical Associate Composer) to comment on the issue, discussing a ..read more

In the second half of our first series, join Communications Officer Hermione Kellow as she explores some of the most pertinent issues currently being faced by the modern classical music industry. In this episode, she explores the different ways in which the industry approaches work in the wider community and how we can go about it in an effective manner for all involved. In this episode she invites Lucy Drever (Presenter and workshop leader for The Nicola Benedetti Foundation), Ruth Rosales (Southbank Sinfonia Alumnus, Bassoonist and Animateur), Fiona Gibbs (Artist Development Manager for Sout ..read more

In the second half of this series, join Communications Officer Hermione Kellow as she explores some of the most pertinent issues  being faced by the modern classical music industry. This episode explores the difficult topic of ‘auditions’.  No matter what level you are at, auditioning can be one of the most daunting and anxiety inducing aspects of the musical experience. However, it’s also the gateway with which the industry measures suitability for institutions, orchestras and other various forms of ensemble from a very young age. Being such an integral aspect of the industry, this ..read more

In this episode, Cathy Hare (flautist) and Antonia Chandler (french horn) explore the topic of diversity within the classical industry and specifically, the issue of diversifying orchestral programming. They interview conductor and educator Sian Edwards, who has been a pioneering presence in the industry for many years. Sian regularly works with Southbank Sinfonia with her most recent experience seeing her tackle a range of works from Missy Mazzolis recently commissioned ‘You Know Me From Here’ to Samuel Barber’s ‘Knoxville: Summer of 1915’.  Using their interview with Sian as a jumping o ..read more

In this episode, join Bradley Jones (trumpet) and James Fisher (bassoon) as they chat to industry professionals John Nickson and Daniel Schwartz about the various ways we, as a community and individuals, can future proof our orchestras. Although their discussion begins primarily with a focus on the importance of funding and financial support, they quickly move into an exploration of a whole host of issues. including the environmental impact of touring, supporting local arts scenes,  diversification of orchestral programming and youth music projects. Produced by Ben Eshmeade and Hermione ..read more

In this episode, Doris Kuo (violin) and Eloise MacDonald (violin) reflect on their earlier years as aspiring musicians and ask the question, what would you tell your younger self?  They tackle a variety of crucial topics including the importance of organisation, how to practice effectively and the value in staying true to your own journey. To help in their exploration, they interview Giulia Lussoso, a student at the Guildhall School of Music and Eugene Lee, Associate leader of Southbank Sinfonia and Assistant Leader of the Philharmonia. Their guests offer an interesting juxtaposition of ..read more

In this episode, Flora Fontanelli (violin) and Sarah Gait (cello) draw inspiration from the pandemic and discuss the possible effects of social distancing and online performances on the future of the classical music industry. In particular, they explore the debate around the term ‘key’ or ‘essential’ work that became part of our vernacular throughout the pandemic and question why cultural work was denied this label. They interview Laura Casas Cambra and Benjamin Redmayne from Wigmore Hall about how they adapted their work to suit a world in lockdown Carys Jones, a supporter of Southbank Sinfo ..read more