
Longform
1,000 FOLLOWERS
Interviews with writers, journalists, filmmakers, and podcasters about how they do their work. Hosted by Aaron Lammer, Max Linsky, and Evan Ratliff.
Longform
2d ago
Mary Childs is a co-host of the podcast Planet Money and the author of The Bond King: How One Man Made a Market, Built an Empire, and Lost It All.
“I love aberrations. I love when things go wrong. You get a high stress situation, you get all of the manifestations of personality. We're our most selves, if not our best selves, at those times. I like the [stories] that have embedded in them all of those conduits of power and that reveal the greater system.”
Show notes:
@mdc
marychilds.com
Planet Money (NPR)
The Bond King: How One Man Made a Market, Built an Empire ..read more
Longform
2d ago
Laurel Braitman is a science writer, the author of Animal Madness: Inside Their Minds, and the founder of Writing Medicine. Her new book is What Looks Like Bravery: An Epic Journey Through Loss to Love.
“My life was becoming unmanageable, in a way. I was using success in many ways like a drug, and I’d say like an analgesic on the sorts of difficult feelings I hadn’t wanted to face truly since childhood. And we are rewarded in this culture for these kinds of outward forms of success that often have nothing to do with what’s going on inside of you.”
Show notes:
@LaurelBraitman
laurelb ..read more
Longform
1w ago
Laurel Braitman is a science writer, the author of Animal Madness: Inside Their Minds, and the founder of Writing Medicine. Her new book is What Looks Like Bravery: An Epic Journey Through Loss to Love.
“My life was becoming unmanageable, in a way. I was using success in many ways like a drug, and I’d say like an analgesic on the sorts of difficult feelings I hadn’t wanted to face truly since childhood. And we are rewarded in this culture for these kinds of outward forms of success that often have nothing to do with what’s going on inside of you.”
Show notes:
@LaurelBraitman
laurelb ..read more
Longform
2w ago
Eric Lach is a staff writer at The New Yorker, where he covers New York. His latest article is “The Mayor and the Con Man.”
“I think about my own trajectory, my little generation of journalists—it was easier to get jobs reporting on national politics than to get a job reporting on something that you could see and go to and that is a really strange thing, the relief and the joy that I feel like when I can just take the subway twenty minutes to go see something interesting for a story or talk to somebody interesting or explore physically and not just feel like I’m making phone calls an ..read more
Longform
2w ago
Willa Paskin, a former TV critic, is the host of the podcast Decoder Ring.
“I want it to feel like a trap door. When you push on a trap door, there’s like a little spring. If it’s the right idea, you start to look into it, and you’re like, Oh, it’s giving a little.”
Show notes:
@willapaskin
00:00 Paskin's Slate archive
00:00 Paskin's Salon archive
00:00 Paskin's Vulture archive
00:00 Decoder Ring (Slate)
00:00 "The Invention of Hydration" (Decoder Ring • Slate • Apr 2021)
00:00 "Cellino & Barnes, Injury Attorn ..read more
Longform
2w ago
Abraham Josephine Riesman is a journalist who writes often for New York and is the author of True Believer: The Rise and Fall of Stan Lee. Her second book, Ringmaster: Vince McMahon and the Unmaking of America, will be published in March.
“You’re sure that there’s a level of unreality, but you’re not sure that it’s all fake. There’s stuff there that seems either plausible or sometimes you go ‘there’s no way you could fake that.’ And sometimes you’re right, and a lot of times you’re somewhere in the middle. It’s not as easily distinguished as saying this is fact and this is ficti ..read more
Longform
2w ago
Jonah Weiner is a contributing writer for The New York Times Magazine and co-author of the newsletter Blackbird Spyplane.
“It's a version of myself. It's a hyperbolic version of myself. And I think it keeps it fun for me. It doesn't feel like a job. Ideally, it keeps it fun for readers. And I think that there actually is this function where X out of 10 people coming to it, their eyes are going to cross and they're going say, I'm out. No thanks. And that's fine, because the Y out of 10 who stick around feel that much more in on something and it just makes it feel like a ..read more
Longform
2w ago
Delia Cai is the senior vanities correspondent for Vanity Fair and publishes the media newsletter Deez Links. Her debut novel Central Places is out this week.
“This was in like, 2011, where I think actual journalists were still trying to figure out ‘Is it gross to be a brand?’ And at least in school, they were all about it. They’re like, ‘You need a brand, you need to think about what your niche is going to be, you need to think about engaging your audience.’ We had to make websites, we had to blog, and of course, all of us being college students, we started using ..read more
Longform
2w ago
Peggy Orenstein is a journalist and author. Her latest book is Unraveling.
“The challenge is… to not want to say, I need to know what the book is about. I need to have my chapters. I need to know what exactly I'm looking for. Because it's really scary to just go out and report and have trust that there's going to be interesting things and that if you just keep going, you're going to find them. So to not foreclose possibility and options and ideas is the biggest reporting challenge for those sorts of books for me.”
Show notes:
@peggyorenstein
peggyorenstein.com
01:00Girls & ..read more
Longform
2w ago
Jonathan Goldstein is an audio producer and the host of Heavyweight.
“I wasn’t taking myself very seriously, initially. I liked working with my friends and family because I think I was a little more comfortable with them. Then in the second season people were writing in with real problems, and they were looking at me as a kind of expert. It was terrifying to meet with these people and see the look of hopefulness in their eyes. ... I realized I need to step it up and even if I didn’t feel like an expert—an expert in an invented field that doesn’t really exist—that I’d really have to take t ..read more