Erich Korngold, who is more usually if somewhat unfairly associated with film scores, wrote Die tote Stadt at the age of 23. It is based on Georges Rodebach’s 1892 novel Bruges-la-Morte, which had already been turned into a play by the author. Korngold’s father Julius knew Siegfried Trebitsch, who had translated the latter into German, and Julius and Erich adapted the play into an opera, writing the libretto between them under the joint pseudonym of Paul Schott. Set in Bruges towards the end of the nineteenth century, the story concerns Paul whose wife Marie died several years earlier. On the ..read more

Philip Glass, who is recognised as one of the leading proponents of minimalism in the world today, has written over twenty-five operas, a total achieved by hardly any composer since the days of Rossini, Donizetti and Verdi. Three of these form the ‘portrait trilogy’, which focuses on pivotal figures in the fields of science, politics and religion respectively. Einstein on the Beach premiered in 1976, Satyagraha (about Mahatma Gandhi) followed in 1980, and then the triptych was completed four years later with Akhnaten. This final opera appeared at English National Opera in 1985 and 1987, but wa ..read more

Herculine Barbin, also known as Alexina B., was born in France in 1838. At birth it was decided that she was a female and she was raised as a girl. When reaching puberty, she realized that her body was not developing like those of the rest of the girls. She never menstruated but suffered from severe pain. Alexina B. found a job as a teacher in a girls’ boarding school where she fell in love with Sara, the daughter of the director of the centre. After their first love encounter she began to think that she felt like a man and started a long medical and legal path that culminated in a court rulin ..read more

Based on the fairytales of Karel Jaromír Erben and Božena Němcová, Antonín Dvořák’s Rusalka of 1901, with a libretto by Jaroslav Kvapil, tells the story of the eponymous water sprite. She tells her father Vodník, the water goblin who rules the lake where she lives, that she has fallen in love with a Prince who she has seen hunting. Wishing to become human so that she can embrace him, she seeks the assistance of the witch Ježibaba who explains that she would lose the power of speech as well as her immortality. Rusalka, accepting this and the fact that if she does not find love the Prince will d ..read more

Das Rheingold, performed here in English as The Rhinegold, is the first opera in Richard Wagner’s tetralogy Der Ring des Nibelungen or Ring Cycle. It sets in motion the story that plays out across the four operas, and establishes the central theme of power versus love. It sees the dwarf, or Nibelung, Alberich steal the gold that is guarded by the Rhinemaidens and forge it into a ring that makes the bearer all powerful. He is only able to do so, however, by renouncing love, which in the world we see before us no one has ever done before.  Meanwhile, the chief god Wotan faces his own crisis ..read more

If Shakespeare's Macbeth is already bloodthirsty, dark, barbaric, ferocious, atavistic and telluric, Verdi's operatic reworking of this work not only keeps intact the strength of the original but, by concentrating and essentialising it, he even increases it. Verdi's Macbeth is the ultimate party of wickedness and an orgy of moral perversion. Stylistically, it is a rare opera that does not fit anywhere – chronologically it should be inscribed in late bel canto, but both its orchestral and vocal parts constantly exceed these limits. For the role of Lady Macbeth, Verdi required “una brutta voce ..read more

Following Der fliegende Holländer, Tannhäuser, which premiered in 1845, is acclaimed as Richard Wagner’s second mature opera and, set in thirteenth century Germany, tells of the eponymous minstrel-knight. Feeling that the world does not understand his art as a singer, he has fled to Venusberg where he enjoys the love of Venus. After being there for a while, however, he becomes restless and longs for his former life, and especially Elisabeth who he left behind. A mortified Venus pointedly asserts that one day he will be only too eager to return to her, but Tannhäuser insists this will neve ..read more

After bringing Vivaldi’s Bajazet to the Royal Opera House last year, Irish National Opera returns with Least Like The Other, Searching for Rosemary Kennedy. This opera by composer Brian Irvine and director Netia Jones, which premiered at the Galway International Arts Festival in 2019, focuses on the life of Rosemary Kennedy, younger sister of John F. Kennedy and eldest daughter of Joseph P. Kennedy and Rose Fitzgerald Kennedy. Perceived by her ambitious family as ‘intellectually disabled’, and being prone to seizures and mood swings, Joe Kennedy arranged a prefrontal lobotomy when she was 23 ..read more

Tosca, one of the titles in the repertoire that performs best at the box office, has returned to Liceu to reach the figure of two hundred performances in the history ofthe Barcelona theatre. It has done so in a co-production between Liceu and other Spanish and European theatres under the direction of the young Sevillian director Rafael R. Villalobos, aspiring enfant terrible of today's operatic stage direction. Villalobos's Tosca is one of those that needs an instruction manual in order to work and when a stage show needs a lot of prior explanations to be understood, things get complicated. Th ..read more

Unlike the ballet The Nutcracker, which is also currently on at Covent Garden, The Magic Flute is not strictly a Christmas piece. However, Mozart’s final opera, which premiered on 30 September 1791 just a few months before his death, is both enchanting and humorous, meaning it is perfect fare for the festive season. The work, which takes the form of a Singspiel that combines singing with spoken dialogue, sees the Queen of the Night persuade Prince Tamino to rescue her daughter Pamina from captivity under the high priest Sarastro, who she claims is evil. As Tamino goes about his quest, however ..read more