In October 2024, Seattle Opera presents the world premiere of Jubilee, a new opera telling the story of how the Jubilee Singers of Fisk University popularized African American Spirituals in the years following the Civil War. These traditional songs, created, refined, and shared anonymously by enslaved Americans, are the foundation on which all American music has been built. The music is wild and intense; beautiful and painful; full of despair, hope, and uplift. African American opera singers have long championed the Spirituals, often concluding concerts and recitals with these beloved songs. J ..read more

James Robinson is Seattle Opera’s next General and Artistic Director, beginning September 4, 2024. Learn more about our dynamic new leader in this short Q&A interview, where he discusses why he’s eager to come to Seattle Opera, his philosophy for creating new works and his approach to the standard repertory, his drive for artistic excellence, and what he enjoys doing in his free time. Seattle Opera's next General and Artistic Director, James Robinson. © David Jaewon Oh Seattle Opera: What excites you about being Seattle Opera’s next General Director? James Robinson: I’m excit ..read more

Robinson begins September 4, 2024, following 16 years at Opera Theatre of Saint Louis Seattle Opera's next General and Artistic Director, James Robinson. © David Jaewon Oh James Robinson is the next General and Artistic Director of Seattle Opera, and the fifth person to lead the company in its 61-year history. Robinson begins his tenure on September 4, 2024, replacing Christina Scheppelmann, who takes over as General and Artistic Director of Brussels’ La Monnaie/De Munt in January 2025 following the completion of her contract with Seattle Opera. Robinson comes to Seattle from Opera T ..read more

Pagliacci has been one of the world’s favorite operas since its 1892 premiere. Here at Seattle Opera we’ve given it five times now (1966, 1974, 1983, 2008, and now 2024), sometimes on its own, sometimes as part of a double-bill with operas such as Cavalleria rusticana or Gianni Schicchi. But among the opera “classics” performed repeatedly in Seattle there’s something unique about Pagliacci: this opera’s creator once visited our fair city. Initially collaborators, Puccini (left) and Leoncavallo (right) became arch-rivals when both made operas about La bohème. Ruggero Leoncavallo wrote ..read more

In honor of Seattle Opera’s newest production of Ruggero Leoncavallo’s masterpiece and to celebrate Pagliacci Pizza’s 45th Anniversary, the Seattle-based pizza maker has created a signature pizza box featuring Sasquatch as the clown. © Pagliacci Pizza Conceived by Coby Shultz, one half of the dynamic duo behind Ames Bros, the Seattle-based graphic design firm, the artwork puts the legendary creature known throughout the Pacific Northwest in an awkward situation. “It’s been impossible to work on this and not belly laugh—the thought of ‘Squatch’ being forced to perform and stuffed into ..read more

Pagliacci climaxes in a show-within-a-show: a performance (which goes completely haywire) of traditional Italian comedy, commedia dell’arte. This ancient theatrical form is perhaps best understood as live-action Looney Tunes. Commedia shows didn’t have much by way of plot. They didn’t use scripts. Instead, stock characters and situations provide a framework for improvised jokes, buffoonery, and rampant silliness. The name commedia dell’arte best translates as “artisanal comedy,” i.e. a bespoke performance, like the kind of cheese sold at a farmer’s market. Yes, they followed a recipe, but it c ..read more

Monica Conesa, the American-Cuban soprano, and Diego Torre, the Mexican-Australian tenor. Both are making their Seattle Opera debuts as Nedda and Canio. Discover how they started, their artistic influences, and favorite past times. Monica Conesa, Soprano A dream come true: This role is very, very special to me because it’s one of the operas that I fell in love with first. As a teenager, I listened to last scene over and over again. I pretended to be Nedda. It’s so dramatic, so incredible. Because this is my role debut, I guess that I’ve been preparing for this moment all my life. It’s been c ..read more

Duke Kim (Count Almaviva) and Megan Moore (Rosina) in The Barber of Seville. © Sunny Martini “The Seattle Opera has done it again, in their wonderful and fun new production of The Barber of Seville (one of Rossini’s greatest comic works). Co-produced by Opera Queensland, Seattle Opera, and New Zealand Opera, all I really need to say about it is “WOW!” –British Theatre Guide “I've never so thoroughly enjoyed "The Barber of Seville" as on opening night of Seattle Opera's production by Lindy Hume. A fantastic debut for Valentina Peleggi, a real singers' conductor who knows how to bring ..read more

By Lindy Hume, director of The Barber of Seville This co-production between Opera Queensland (Australia), Seattle Opera and New Zealand Opera began life in 2016 as a 200th birthday celebration of The Barber of Seville. It followed a similarly joyful collaboration between our companies on a 2014 production of Rossini’s Cinderella. Here in 2024, I’m delighted to say that since their Brisbane debuts, both productions have been well-travelled and warmly embraced by audiences in around the world and across Australasia. It is a delight to revisit our salute to Rossini’s comic genius at a time when ..read more

Kellogg to succeed Scholar-in-Residence Naomi André, who concludes five-year term in May 2024 Seattle Opera's new Artistic Ambassador, Kenneth Kellogg, as Malcolm X in X: The Life and Times of Malcolm X in 2024. © Sunny Martini. General Director Christina Scheppelmann announced today the appointment of bass Kenneth Kellogg as Seattle Opera’s inaugural Artistic Ambassador. Kellogg, who recently completed a triumphant run as Malcolm X in X: The Life and Times of Malcolm X, takes over for Naomi André, who concludes her impactful five-year term as Seattle Opera’s first Scholar-in-Reside ..read more