The orchestra, under Music Director and conductor Evan Mitchell handled the score and the unconventional space magically. The flow of the score ameliorated the pace of the show itself and vice-versa ..read more

Graham captures Desiree's humor and sass and broaches the melancholy in the ever sigh-worthy Send in the Clowns ..read more

Before you even realize it, you know who's soft-spoken, who jokes the most, who's an activist, who's most in it for herself; you know what their desires and fantasies are -- to be a star of the fashion industry, of course -- and what they'd do with any sort of livable income they dream of making ..read more

Her portrayal of the sorceress's tortured descent into madness, culminating in her murdering her own children, was nuanced and gripping. You were regularly torn between fearing her and pitying her -- and that is the key to Medea ..read more

No longer set as a racial stereotype, Carmen and her companions are, simply, smugglers. No need to give them a particular racial background and attribute that to their criminal behaviour, they just happen to be a group of people living outside the law. And not only was none of the racial elements missed, it made it a much more cohesive story, making Don José an outsider not because of his ethnicity, but because he represents the law they're trying to evade ..read more

On this night, the chemistry and blend were first-rate, setting the tone for the night's performance. Each embodied a mischievous playfulness in their encounter with Alberich that sets the action of Das Rheingold in motion ..read more

While the amount of syllables that were flying by were impressive and the pace was astounding, I felt no one was really in the pocket of the piece -- neither the pit nor the stage ..read more

We don't sing with good technique just for the fun of it. It's there so that it frees us up to be great artists. The technique has to be there first, so that we can let go and actually do the rest ..read more

Boston Baroque's casting absolutely knocked it out of the park when it came to casting this particular production. It's a very rare time at the opera where I can say I feel everyone was memorable in their own way, but this performance had probably one of the best ensemble casts I've had the pleasure to watch ..read more

The opera's intended 1914 premiere at the Opéra Comique was cancelled due to the outbreak of World War I during which time the original orchestrations were lost. The origins of the Boulanger-Pugno work are almost as fraught with circumstance as D'Annunzio's libretto ..read more