The New Criterion
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A monthly review of the arts and intellectual life. Interviews, poetry readings, musical criticism, and more.
The New Criterion
1w ago
The Friends of The New Criterion recently gathered for an evening in celebration of Peter Vertacnik, whose “The Nature of Things Fragile” won the magazine’s twenty-third poetry prize. Listen to hear Peter read a number of poems from this new collection ..read more
The New Criterion
1w ago
Jay has assembled a little celebration of spring: songs, arias, a symphony, a sonata. Who doesn’t want to sing spring? Argento, “Spring,” from “Six Elizabethan Songs” Sinding, “Rustle of Spring” Wagner, “Du bist der Lenz,” from “Die Walküre” Beethoven, “Spring” Sonata, Rondo Strauss, “Herr Lenz” Saint-Saëns, “Printemps qui commence,” from “Samson et Dalila” Schumann, “Er ist’s” Hoiby, “Always It’s Spring” Wolf, “Er ist’s” Schumann, “Spring” Symphony, first movement Warlock, “Pretty Ring Time ..read more
The New Criterion
1M ago
On March 14, the Friends and Young Friends of The New Criterion gathered at the magazine’s headquarters to hear remarks from Dr. Alexander Chula on his new book, “Goodbye, Dr. Banda: Lessons for the West From a Small African Country ..read more
The New Criterion
1M ago
Recently, Carnegie Hall hosted a John Williams gala. The program was all-Williams and the composer himself conducted most of the concert. In this episode, Jay hosts his own little Williams gala. All by John Williams: “The Mission” Scherzo for Motorcycle and Orchestra from “Indiana Jones and the Last Crusade” Olympic Fanfare and Theme Main Title from “Catch Me If You Can” Raiders March from “Indiana Jones and the Raiders of the Lost Ark” Flying Theme from “E.T.” The Imperial March, a.k.a. Darth Vader’s Theme, from “Star Wars ..read more
The New Criterion
1M ago
Rossini was born on February 29, 1792. So Jay doffs his cap to him. We also hear Schubert, Brahms, Ravel, and worthy others (including Dvořák, who knew how to swing). Rossini, Overture to “La gazza ladra” Schubert, Symphony No. 5, first movement Ravel, Piano Concerto in D for Left Hand Alone Dvořák, Symphony No. 7, Scherzo Chopin, Étude in A flat, Op. 25, No. 1, “Aeolian Harp” Brahms, Piano Concerto No. 1 in D minor, Rondo ..read more
The New Criterion
2M ago
On the River Thames, the rise of cities & the future of history. A conversation occasioned by Jeremy Black’s essay in our February 2024 issue ..read more
The New Criterion
2M ago
A Valentine’s Day special—with music by the likes of Strauss, Poulenc, and Barber, sung by the likes of Jessye Norman, Arleen Auger, and Leontyne Price. A bouquet, a box of candies—a musical present for you. Trad., arr. Quilter, “Over the Mountains” Strauss, “Traum durch die Dämmerung” Strauss, “Amor” Poulenc, “Fleurs” Koechlin, “Si tu le veux” Prokofiev, Amoroso, from “Cinderella” Fusté, “Háblame de amores” Donaudy, “O del mio amato ben” Leoncavallo, “Mattinata” Barber, “Nocturne” Wild, Étude on Gershwin’s “Embraceable You” Bridge, “Love Went A-Riding ..read more
The New Criterion
2M ago
Some rare Prokofiev, some common Prokofiev. An operatic blast from the past (Price and Tucker). A tribute to Colette Maze, a French pianist who has died at 109. Another tribute to Ewa Podleś, the great Polish contralto. A mixture of music, and thoughts, in this episode. Tchaikovsky, “Miniature Overture” from “The Nutcracker” Prokofiev, Symphony No. 2 Puccini, Love Duet, “Madama Butterfly” Prokofiev, Symphony No. 5 Prokofiev, Amoroso from “Cinderella” Debussy, Arabesque No. 1 Prokofiev, “The Field of the Dead,” from “Alexander Nevsky ..read more
The New Criterion
6M ago
Mussorgsky was inspired by some pictures at an exhibition. Mendelssohn, Strauss, and Tchaikovsky, among others, were inspired by their sojourns in Italy. In this podcast, Jay leads an enjoyable and enriching tour. Mussorgsky, “Pictures at an Exhibition” Mendelssohn, Symphony No. 4, Saltarello Strauss, “Aus Italien,” “Neapolitan Folk Life” Tchaikovsky, “Capriccio italien” Verdi, “Va, pensiero,” from “Nabucco” Mozart, “Ave verum corpus” Sibelius, “The Swan of Tuonela” Mozart, “Alleluia” from “Exsultate, jubilate ..read more
The New Criterion
7M ago
Executive Editor James Panero sits down with Visiting Critic Wilfred M. McClay to discuss “The burden of the humanities,” the fifth annual Circle Lecture of The New Criterion. The full text of the speech will be available in the November 2023 issue. For more information about the Circle of The New Criterion, visit newcriterion.com/circle ..read more