I wanted to write about a so-called lost writer but also to push that idea into somewhere strange by writing about a writer and book that may belong in oblivion. As my narrator says, “Some things, perhaps, are not and will never be classics, were rightfully neglected or lost for good reasons.” That’s the core concept I was working with. My interest in forgotten writers, the legend of the stone, and the narrative framework coalesced quite well ..read more

There is something uniquely squalid and sad about estate sales. To traipse through a cluttered house, one of a teeming crowd here to bear witness to the end of a life and all that it held, not to pay respect but instead to lunge for whatever goodies you can find ..read more

I think the short story is the most effective form of horror. This is not to say a horror novel can’t be scary or great---there are many great horror novels---but the brevity of the short story serves to heighten the fear because, like a knife in the dark, it’s fast, it’s sudden, it’s unexpected, and you don’t have time to recover once it appears ..read more

The opening line is my riff on Bach’s chorale prelude “Come, Sweet Death,” one of his most profound. The foxfur wings I feel come from Well’s “In the Avu Observatory,” a surrealistic short story where an astronomer in the islands of Indonesia is attacked by a large flying bat-creature ..read more

Given the modern problems of dating and such, I have my suspicions, but can you tell us a bit about what inspired “Backseat Kiss”? This story went through a few iterations. At first, I wanted to use a relationship to explore power dynamics, and originally the story was going to be about cuckoldry. That then ..read more

CW: violence, blood, death. It didn’t come as a surprise when AJ told me she wanted to open our relationship. We’d been an item for four years, but by the middle of the third year the two of us had long since checked out. You could feel it in the air: a static, something pushing ..read more

I like to start my short stories by immediately taking a plunge with my audience, a phrase or a certain voice or tone that lets them know what kind of tale they’re getting into and to trust this voice. This notion, supported with a sense of immediate urgency, i.e., give them something or someone interesting to latch onto---guides most of my work ..read more

In early 2022, there was a comedian on TikTok, or at least I thought they were a comedian, who said, and I’m paraphrasing here: My biggest fear living in the city today is not crime or something scary happening---it’s actually some person with a camera and a mic running up to me, asking me to do something for a dollar ..read more

Welcome to Issue #139 of Nightmare Magazine! And happy April, a month so delightful Shakespeare was both born and died in it. I like to think that if Shakespeare was working in 2024, he would be writing horror---after all, the genre is full of witches, ghosts, murder, and double-crosses, some of his favorite material ..read more

Grief causes us to make questionable decisions or judgements. When we're grieving we do risky things and often trust the wrong people because nothing seems to matter, or maybe anything is better than what we're currently feeling or experiencing. Romance and sex can be a wonderful distraction ..read more