Become a subscriber on Spotify for bonus content! ⁠⁠https://podcasters.spotify.com/pod/show/actingclass/subscribe --- Send in a voice message: https://podcasters.spotify.com/pod/show/actingclass/message ..read more

Season finale! The problem with trying to learn acting in a linear way is that no creative art is linear. You can’t fit a lifelong craft into one box or one book. Therefore, there is no one secret, or one method, or one idea that will save you. We have to be able to take on board the fact that acting is multifaceted. It is not about right or wrong, but a matter of depth. And the more you’re able to challenge yourself, and integrate the many aspects of being human, the greater chances that the audience will walk away considering something new. WANT MORE? Become a subscriber on Spotify for bonus ..read more

Email Walker at questionsformilton@gmail.com for more information or to register. --- Send in a voice message: https://podcasters.spotify.com/pod/show/actingclass/message ..read more

In this episode, Milton shares an example of what it means to trust your creative impulses. This means allowing yourself the freedom to wander around until you find a connection to what you're talking about. Although you may know where you're going, you don't necessarily know how you're going to get there, or what choice you're going to discover that ends up bringing you to life. WANT MORE? Become a subscriber on Spotify for bonus content! ⁠https://podcasters.spotify.com/pod/show/actingclass/subscribe⁠ Have a question for Milton? Send us a voice note below or email us at: ⁠questionsformilton ..read more

“I’m so sick of Mark Ruffalo. Whatever that is, I’m so sick of it. I am so sick of him that literally there was a part of me that was flirting with disaster.” On the heels of his Academy Award nominated performance in the film Poor Things, Mark Ruffalo joined his former acting teacher and coach Milton Justice on the podcast I Don't Need an Acting Class to discuss his process. He has since been nominated for an Academy Award. “I’m always thinking I’m about four hours away from being fired!” He also lightheartedly admitted that his co-star Willem Defoe, and even the film’s director, Yorgos Lanth ..read more

“I’m so sick of Mark Ruffalo. Whatever that is, I’m so sick of it. I am so sick of him that literally there was a part of me that was flirting with disaster.” On the heels of his Academy Award nominated performance in the film Poor Things, Mark Ruffalo joined his former acting teacher and coach Milton Justice on the podcast I Don't Need an Acting Class to discuss his process. He has since been nominated for an Academy Award “I’m always thinking I’m about four hours away from being fired!” He also lightheartedly admitted that his co-star Willem Defoe, and even the film’s director, Yorgos Lanthi ..read more

This week’s episode is based on a question we received about adding your own circumstances in order to increase the stakes, or help you connect. Here’s the question in its entirely: Is it acceptable to add your own specific circumstances or facts to bear down on generalities in the script?  Or is this dangerous embellishment? David Mamet says to invent nothing, and that the author has given you only what is germane to the physical action of the play, as the joke-writer gives you only what is germane to the punchline. For example act 1, scene 4 (Richard III). Murderers and Clarence. T ..read more

WANT MORE? Become a subscriber on Spotify for bonus content! ⁠⁠https://podcasters.spotify.com/pod/show/actingclass/subscribe⁠⁠ This episode begins with the exercise of telling someone else’s story. It involves hearing a story from someone in class, and then retelling it as our own. This is a great technique exercise because it allows you to layer in your first impressions improvisationally. You don’t have to get it all the first time. And in the process, you find the details that stick with you— these are the choices that bring you to life, and what allows you to put your own unique stamp on ..read more

WANT MORE? Become a subscriber on Spotify for bonus content! ⁠⁠https://podcasters.spotify.com/pod/show/actingclass/subscribe⁠⁠ Milton begins this episode by emphasizing the importance of observing human behavior— our own and others. The reason is, it gives us clues to everything, from character to circumstance to what “playing an action” looks like. Milton gives the example of an audition Diego recently worked on, where he struggled to play the action “to seduce.” This is where observation becomes so helpful. Looking at others helps us understand the nature of seduction. Have a question for Mi ..read more

This week, we go back to some of the fundamentals of acting technique. One of which is, The Biggest Sin: Thou Shall Not Make Performance Choices When You First Read The Script. But this is not something we’re always aware that we’re doing. We forget. Or— we have an immediate response to the character or the circumstances, and run with that first instinct. Or— because of our own personal beliefs and values, we unconsciously pass judgement on the character we’re playing. Regardless of the reason, what we end up with is something that lacks depth and complexity. The bottom line is: the mistake is ..read more