Memoirist and director of the Institute of American Indian Arts MFA program Deborah Jackson Taffa talks to Jared about her new book, Whiskey Tender. Deborah shares how memoir writing is a form of familial and historical preservation, and offers advice on having difficult conversations with the real people who appear in our creative nonfiction. Plus, she discusses the value of the low-res IAIA program for both indigenous and non-indigenous writers, offers strategies for sustaining creative energy, and describes methods to avoid falling into a common misstep for MFA students: social comparison ..read more

Drawing from her decade-long career in Silicon Valley, Jamie Li tells Jared about writing tech satire that struck her MFA colleagues as far-fetched and her tech friends as totally realistic. Plus, Jamie talks about how her background as a Chinese immigrant and the model minority myth shape her interest in writing about in-group/out-group behaviors, and her attraction to VCFA’s emphasis on experimental and cross-genre writing. Jamie Li is a Southern California-based fiction writer and product marketer. She holds a BA from Dartmouth College and is pursuing her MFA at the Vermont College of Fine ..read more

The podcast team has been busy at the annual AWP conference, so we’re bringing you a rerelease of a great conversation from Season 2. A new episode will be in your feed in two weeks. Luna Adler talks to Jared about moving between fiction and non-fiction, Brooklyn College’s unique novel-writing workshop aimed at accommodating the long form, the tension between a slow revision process and rapid MFA deadlines, and the benefit in recording one’s writing time while allowing grace for a broad definition of writing time that may or may not include thinking time. Luna Adler is a Brooklyn-based writer ..read more

Kate Brody, debut author of the literary thriller RABBIT HOLE, sits down with Jared to talk about crafting a true crime novel that focuses on the victim’s family. Drawing from her own experiences with publishing, she also offers advice for choosing an agent, pivoting if your book doesn’t sell, and marketing your work. Finally, she shares the most memorable pieces of advice from her own MFA teachers, including Mary Gaitskill, E.L. Doctorow, and Amy Hempel. Kate Brody holds an MFA from NYU and her work has been published or is forthcoming in The New York Times, Parents, Crime Reads, Lit Hub, El ..read more

Noah Evan Wilson spent ten years finishing his undergraduate degree while developing as a musician and a photographer. On this episode, he talks with Jared about how that decade of experiences animates his current writing, how the craft of music and photography overlaps with and informs his fiction, and how the MFA has provided him the opportunity to experience college in a way he wasn’t able to before. Noah Evan Wilson is a writer and musician based in New York City, and a second-year MFA candidate at Rutgers University-Newark, in the fiction track. His short stories have been published in Be ..read more

Happy New Year from the pod team! We’re ringing in 2024 with a vacation, so enjoy this episode from our last season. Regular programming will resume in two weeks. What’s it like writing historical fiction in an MFA program? On this episode, Kayla Cayasso tells Jared about the family histories and archival research that informed her collection portraying families affected by generational trauma. She also talks about the unique role of Florida in Southern literature, the advantages of multi-genre workshops, and the importance of Black and Brown representation in literature. Kayla Cayasso is an A ..read more

When she became a mother, Sarah Ann Noel turned to autofiction as a way to process her own childhood. In this episode, she sits down with Jared to share how those reflections became a novel about teenagers growing up in a high-control Evangelical environment. Plus, she talks about shifting from magazine editing to creative writing, attending jet-lagged residencies in Paris, and getting feedback on her work from her literary heroes. Sarah Ann Noel is a writer and editor of fiction and non-fiction. She holds an MFA from NYU’s Writers Workshop in Paris. Her first short story will appear in After ..read more

Finance proofreader turned full-time poet Matt Farley joins Jared to share how his transition out of the corporate world affects his perspective on his MFA program and future career. Plus, Matt talks about his manuscript on mycology and post-traumatic growth, becoming a parent during the MFA, setting up a thesis committee, and Miami University’s emphasis on play, practice, and experimental learning. Matt Farley is a queer poet, activist, and multimedia artist from Ohio. He is currently studying to earn his MFA from Miami University in Oxford, Ohio. His work explores liminality, queer identity ..read more

This week, an MFA with an international focus! Krista Diamond sits down with Jared to talk about UNLV’s required (and funded) study abroad component and its emphasis on translation. Plus, Krista shares lessons learned as a freelance writer, info on the Vegas literary community, and how her experience working and living in national parks informs her fiction and nonfiction alike. Krista Diamond is a Las Vegas based writer whose work has appeared in or is forthcoming in The New York Times, Longreads, Hazlitt, Catapult, Electric Literature, Joyland, and elsewhere. Her writing has been supported by ..read more

Happy MFA Application Season to all who celebrate! Jess Silfa returns to the show bringing seven years of experience with the MFA Draft Facebook Group. On this episode, Jess and Jared offer advice for applicants across a wide range of topics: teaching, funding, health insurance, fees, faculty, letters of recommendation, writing samples, statements of purpose, negotiations, timelines, and more. Good luck, friends. Jess Silfa is a writer and poet from the South Bronx. They hold an MFA from Vanderbilt University in Creative Writing (Fiction) and are currently pursuing their Ph.D. in Creative Writ ..read more