The Every Day Novelist
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The Every Day Novelist podcast is about moving from Hobbyist to Pro.
The Every Day Novelist
1w ago
Quick show announcement – we will be back Monday.
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The Every Day Novelist
1w ago
Jim asks: You’ve spoken before about how ADD and its derivatives can be a boon to the creative person, and the dangers of medicating it out. What are some ways the writer can manage the symptoms while appreciating the benefits?
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The Every Day Novelist
1w ago
Today we have feedback from Khellan on changing the way you listen and getting out of your own way.
archivos
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The Every Day Novelist
2w ago
Joe asks: Lots of young people want to be writers, but don’t have enough life experience to write anything interesting. What ways do you recommend to gain that sort of life experience?
Meditations by Marcus AureliusThe Bed of Procrustes by Nassim Nicholas Taleb
The Notebooks of Lazarus LongCity Slickers
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The Every Day Novelist
2w ago
Indiana Jim asks: Stephen J. Cannell produced some of the best television shows ever, and I know you’re an aficionado. What was his secret sauce for engaging and enduring episodic storytelling?
WiseguyRockford FilesThe A TeamSilk StalkingsThe Commish
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The Every Day Novelist
2w ago
A handful of announcements, or what we’ve been up to.
The Write Stuff50 by 50 ChallengeLost Days, Last Nights announcement post
The Shoes I Wore This Morning, a sample of the Lost Days collection
Unfolding the World substack
And Then She Was Gone
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The Every Day Novelist
3w ago
Joe asks:
I’ve been enjoying these short q&a podcasts! Here’s a question for your next one: what is your take on reading as a writer? Do you believe it’s important to read widely in the genre you write, or to avoid your genre and read widely in everything else? I’ve heard arguments for both sides. Or is it better not to read at all?
The BibleThe Homeric EpicsThe AneaidThe Divine Comedy
Shakespeare
The Arabian Nights
Sophacles
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The Every Day Novelist
3M ago
Tim asks:
What’re your opinions on pacing an Action-adventure novel? How much action is actually necessary?
King Solomon’s Mines by H. Rider Haggard
Sahara by Clive Cussler
Indiana JonesRomancing the StoneThe Killing Floor by Lee Child
Jurrassic Park (film)
Congo (film)
The Lost World by Doyle
The Mummy
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The Every Day Novelist
3M ago
Caine asks:
In a self evaluation of our own skill sets/aptitudes as a writer, what identifiers should exist that would indicate we have developed into a substantial professional writer? How do we know that we have what we need skills wise? What should we be able to do? What should we be NOT doing?
King Con by Stephen J. Cannell
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The Every Day Novelist
3M ago
Joe asks:
Lots of people have opinions about how to write a bestseller. What are some of the more interesting and counter intuitive ways to write a book that never sells at all?
Sponsored by Archivos
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