
The Editor's Cut
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The Editor's Cut is a bi-monthly Canadian Cinema Editors podcast exploring the art of picture editing in Canada.
The Editor's Cut
1M ago
In this episode Sarah Taylor, CCE chats with Shane Reid and Dean Zimmerman, ACE, the talented editors behind Marvel’s massive box-office hit, DEADPOOL & WOLVERINE. We explore the creative process, challenges, and excitement of shaping these fan-favourite antiheroes on the big screen. Whether you’re a long time Marvel fan or curious about editing action, you won’t want to miss this insightful discussion about pacing, glistening abs, deleted scenes, and the unique dynamics of editing two of the most unpredictable heroes in cinema.
To hear more insightful conversations about editing join us f ..read more
The Editor's Cut
3M ago
Canadian films are still making their way to the big screen with fascinating themes. FITTING IN grapples with societal notions regarding the relationship between body and womanhood. HEY, VIKTOR! tackles a quest for fame and fortune morphed into a journey of self-discovery. THE KING TIDE reflects on community, fundamentalism, and rejection of a larger world. Heavy metal, violence, gambling addiction, and a never-ending pile of dishes serve as the background in THE DISHWASHER to give us a bumpy ride to redemption. Join us in a conversation with Maureen Grant, CCE, Isabelle Malenfant, CCE, Justin ..read more
The Editor's Cut
4M ago
Canadian films are still making their way to the big screen with fascinating themes. FITTING IN grapples with societal notions regarding the relationship between body and womanhood. HEY, VIKTOR! tackles a quest for fame and fortune morphed into a journey of self-discovery. THE KING TIDE reflects on community, fundamentalism, and rejection of a larger world. Heavy metal, violence, gambling addiction, and a never-ending pile of dishes serve as the background in THE DISHWASHER to give us a bumpy ride to redemption. Join us in a conversation with Maureen Grant, CCE, Isabelle Malenfant, CCE, Justin ..read more
The Editor's Cut
1y ago
This episode is an EditCon 2024 exclusive episode of The Editor's Cut with Nick Houy, ACE the editor behind the blockbuster hit BARBIE.
Nick Houy, ACE, is a film editor based in New York. Before editing BARBIE, Houy edited both of Greta Gerwig’s previous Oscar-nominated films, LITTLE WOMEN, and LADY BIRD for which he was nominated for the ACE award in 2017. Houy also won the Emmy Award in 2017 for editing the miniseries, THE NIGHT OF. He was nominated for the Independent Spirit Award for editing MID90S in 2018, and in 2022 Houy edited the critically acclaimed Netflix documentary, STUTZ.
Watch ..read more
The Editor's Cut
1y ago
This episode is an EditCon 2024 exclusive episode of The Editor's Cut with Nick Houy, ACE the editor behind the blockbuster hit BARBIE.
Nick Houy, ACE, is a film editor based in New York. Before editing BARBIE, Houy edited both of Greta Gerwig’s previous Oscar-nominated films, LITTLE WOMEN, and LADY BIRD for which he was nominated for the ACE award in 2017. Houy also won the Emmy Award in 2017 for editing the miniseries, THE NIGHT OF. He was nominated for the Independent Spirit Award for editing MID90S in 2018, and in 2022 Houy edited the critically acclaimed Netflix documentary, STUTZ.
Watch ..read more
The Editor's Cut
2y ago
Today’s episode is the panel that took place virtually on April 11th 2022 - In Conversation with Shaun Rykiss and Bretten Hannam on the film WILDHOOD.
Shaun Rykiss and director Bretten Hannam discuss their approach to bringing one of this year’s most acclaimed films, WILDHOOD, to the big screen. This panel was moderated by Kimberlee McTaggart, CCE.
WILDHOOD is a film about two brothers who embark on a journey to find their birth mother after their abusive father had lied for years about her whereabouts; along the way, they reconnect with their indigenous heritage and make a new friend ..read more
The Editor's Cut
2y ago
Today’s episode is the panel that took place virtually on April 11th 2022 - In Conversation with Shaun Rykiss and Bretten Hannam on the film WILDHOOD.
Shaun Rykiss and director Bretten Hannam discuss their approach to bringing one of this year’s most acclaimed films, WILDHOOD, to the big screen. This panel was moderated by Kimberlee McTaggart, CCE.
WILDHOOD is a film about two brothers who embark on a journey to find their birth mother after their abusive father had lied for years about her whereabouts; along the way, they reconnect with their indigenous heritage and make a new friend ..read more
The Editor's Cut
2y ago
Today's episode is a conversation with Editors Across Canada that took place virtually November 2nd, 2021. Annie Ilkow, CCE (GHOSTS) from Quebec, Jeremy Harty, CCE (TRAILER PARK BOYS) from Nova Scotia, Lisa Binkley, CCE (ZOMBIES 3) from British Columbia, Roderick Deogrades, CCE (CHAPELWAITE) from Ontario and Sarah Taylor (THE LAST BARON) from Alberta talk about their process and how it can be different (or similar) based on where they live.
Sponsored by IATSE 891 ..read more
The Editor's Cut
2y ago
In today's episode Sarah Taylor chats with the wonderful team behind the podcast Post in Black. Daniel Hunter, David Hunter Jr. and Tatiana Johnson share the journey of how Post In Black started as a blog and is now in it’s 3rd podcast season showcasing post-production professionals in the black community. We talk about their hopes for the future of Post in Black and the industry at large ..read more
The Editor's Cut
2y ago
Today's episode is the master series that took place virtually on June 5th 2021. In conversation with Sophie Farkas Bolla editor of BEANS and ROADS IN FEBRUARY. Moderated by Jessie Anthony (writer/director of BROTHER, I CRY) They discuss the ins and outs of editing the breakout film BEANS.  ..read more