In this phenomenal conversation with editor Spenser Reich, ACE, we learn how this early science enthusiast came to be a film and TV editor on series like STARZ's Power Book IV: Force and Power Book II: Ghost. Spenser proudly reps the South Bay, San Jose, and it was actually the conversations Spenser's parents made a point to have after going to the cinema when Spenser was young that may have offered an early inkling at what would become a professional interest. About the age of 17 or 18, she decided that she wanted to become a filmmaker because of a strong love for storytelling. After moving t ..read more

On this episode of Post In Black, we talk movies and music with film and TV composer, Dara Taylor. Born in Poughkeepsie, New York, Dara grew up a little outside of Buffalo. We talk about how, between both of her parents, there was a mutual love of music that found its way to her. Hence, she thought every home had a 'record room.' Her mother, a church choir director, was the first person to teach her about music arrangement and instrumentation. So, how did Dara go from being a computer science major to composing for her latest project, the feature film, Strays? We get into it as well as the 'ah ..read more

On this exciting new episode, we have the pleasure of chatting with Renard T. Jenkins, President of the Society of Motion Picture and Television Engineers who's also the Senior Vice President of Production Integration & Creative Technology Services for Warner Bros. Discovery. Discussing the responsibilities within the role, we learn that it's both massive and multi-functional. With over 30 years in radio, film and television, Renard's early academic interest was in marine biology. We talk about what shifted his focus and how having grown up until the 3rd grade as selectively mute, totally ..read more

We were finally able to sit down with editor Kat McAuley, founder of Kemco TV & Film Productions, whose credits include Snowfall, Better Things, Twenties, BMF, Chicago Fire, The Nun, Black Lightning, Underground and The Amazing Race. As you'll see, it's been something we've been wanting to happen for a long time now and this conversation truly did not disappoint. This episode is so illustrative in many ways as to how magic happens when people, especially creatives, step outside of the bounds, take chances and in turn, find themselves in good company. Kat's career in editing didn't start i ..read more

The director, producer and editor always had a love for film and pursued his dreams at a film school in Chicago. But defaulting loans due to the recession in 2008 forced him to leave Columbia College Chicago, and he and his family moved from his hometown on the outskirts of Detroit to Shreveport, La. Far away from his comfort zone, Calvin forged a unique way into the post-production industry. Taking advantage of Louisiana’s tax credit, Calvin would have an opportunity to cut his teeth on multiple independent films and participate in an assistant editing class that would shift his trajectory an ..read more

Having began his career in the entertainment industry at the early age of 14, writer, producer and editor, Ri-Karlo Handy's pathway into post-production is largely due to a television production class offered at his school while he was in the ninth grade. This early learning opportunity gave him the skills he needed to jump-start a professional path. Sadly, those programs lost funding and weren't even in existence a decade later. In this conversation, Ri-Karlo talks about his early beginnings directing music videos. He's worked with artists, Too $hort, En Vogue and E-40 and later directed musi ..read more

Peabody Award-winning editor, Dominique Ulloa, founder and chair of Ujima Entertainment Coalition, takes us on an awe-inspiring and brilliant journey as she shares how her unconventional pathway into post-production led her to creating her own company. Holistically unsatisfied with her career as a property manager, she decided to leave it behind and enroll as a full-time student at California State University, Los Angeles, majoring in Radio, Film & TV. Not long after her temporary position turned into a staffed post-production operations role at The Oprah Winfrey Network, Dominique talks a ..read more

Award-winning editor, Taylor Joy Mason, of HBO's critically-acclaimed series, A Black Lady Sketch Show, made history as part of the first all-Black editing team to win an Emmy in the category of Outstanding Picture Editing for Variety Programming.  On this episode, Taylor talks about her HBCU experience at Howard University and it feeling similar to working on A Black Lady Sketch Show, how majoring in journalism introduced her to the world of editing and why growing up in Seattle helped navigate post-production environments where a lack of inclusion was present.  Taylor's credits inc ..read more

We learn that it was a series of ambitions and dreams that didn't happen, that helped steer James D. Wilcox, ACE, into a vastly successful career as an editor and director. Hailing from Pittsburgh, Pennsylvania and later, going on to attend Clark Atlanta University, James secured a series of internships that helped usher him into a career as a news editor. It was at that moment that James insists that editing found him and he later relocated to California. In this conversation, James talks about what it was like coming from Pittsburgh and having no linkage to Hollywood and yet, his journey led ..read more

Born and raised in South Central, Los Angeles, ADR and Foley Re-Recording Mixer, Jesse Dodd has an astonishingly long list of credits that span decades. The California State University, Northridge grad's earliest projects were huge films, The Bodyguard and Thelma and Louise. Later on, Jesse's body of work expanded to include Abbott Elementary, Hacks, Bel-Air, Nope, Angelyne, Interview with the Vampire, Us, Black Panther, Brooklyn Nine-Nine, P-Valley, How to Get Away with Murder, Jurassic World and more. From an early age, Jesse knew all along that the entertainment industry was an area of inte ..read more