A film that's not yet happened - at the time of recording! - takes centre stage in this Film Stories episode. In 2019, Quentin Tarantino released his apparently penultimate film as director - Once Upon A Time In Hollywood - but five years on, it's no clearer what his final film will be. It doesn't look like it's going to be The Movie Critic, as had been suggested.... One film that did happen? How about the wildy successful Erin Brockovich? A 2000 movie that brought with it the challenge of adapting a real life story to the screen. Oh, with a major movie star on board... Learn more about your a ..read more

In this special episode of Film Stories, Dan Stevens joins Simon to talk about his latest film, Abigail. They talk about the making of the film, the sort-of crossover with Cocaine Bear, and why it needed to be shot in a certain order. Plus, they also touch on drinking receptables, Colossal, choosing roles, and a whole lot more... Learn more about your ad choices. Visit megaphone.fm/adchoices ..read more

Two risky films take centre stage in this episode of Film Stories, starting with Steven Spielberg's Saving Private Ryan. A 170-minute film released in the midst of a summer jammed with over 100 films to choose from in cinema. Who would have thought it'd prevail at the box office? Spielberg for one wasn't too worried: but also, he came to it directly after making The Lost World: Jurassic Park and Amistad. No wonder he had to rely heavily on his instincts. Fran Kranz meanwhile, better known for his acting, got nowhere with a script he'd written for a $100m alien invasion movie. He turned his att ..read more

In this special episode of the Film Stories podcast, Simon is joined by director Philip Martin, chatting days after the release of his latest film. That movie is Scoop, the dramatisation of the infamous BBC interview with Prince Andrew. The pair chat about Philip's early work, his time in Canada trying to break into the film industry, then jetting to Los Angeles at one point to pitch to John Travolta. Then there's Scoop, and the challenges of making a film where everybody pretty much knows the ending... --- EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/filmstories Try it risk-free now with a 30 ..read more

A pair of bang up to the minute films in this episode of Film Stories, both of which enjoyed the fruits of viral marketing. Saltburn (2023) had been in the head of its writer/director Emerald Fennell for years before she even got to work on her Oscar-winning Promising Young Woman (2020). The catalyst? A really rather famous scene in with a bathtub. But who could have guessed how the internet would take hold of her film post-release? In the case of Mean Girls (2024), the battle was on to hide what it actually was. The new take on the 2004 film of the same name was a musical, but you'd never gue ..read more

In a brand new special episode of Film Stories, writer/producer/director David Ayer joins Simon for a chat. It's Ayer's new film The Beekeeper that's their prime focus: an old school action film with some honey in it as well. It's a tonal shift for Ayer, and also a rare film that he's directed but not written himself. As well as talking about that, a few words too on the media ecosystem following David Ayer's Suicide Squad experiences, and he opens up about the films that he's really keen to make next. Quite surprising choices... The Beekeeper lands in UK cinemas on January 12th. Hosted on ..read more

It's a special episode of the Film Stories podcast, and joining Simon for a chat about her career is writer, director and production designer Catherine Hardwicke. The pair chat first and foremost about her latest film, the indie comedy Mafia Mamma! that's now available in the UK. They talk logistics, the challenges, and the joy that is Toni Collette. The conversation also covers Hardwicke's breakthrough film, Thirteen, and the independent movie landscape. Plus, a bit of casting, a bit of Twilight, and an insight into how she goes about making her films... Hosted on Acast. See acast.com/priva ..read more

It's a pair of summer movies in this episode of Film Stories, both of which were affected by the pandemic, one of which would fare a lot better than the other. The journey to 2022's Top Gun: Maverick was over a decade long, a sequel that stopped and started more than once. Tom Cruise eventually agreed to make the film though, with filming underway in 2018: yet circumstances would mean it'd be many years before audiences could clap their eyes on it. The idea of doing a movie based around the music of Take That looked to be a strong one, and Greatest Days was all set to film in 2020. Yet when ..read more

In this episode of Film Stories, a little bit of a Marvel misfire, and a film that was pitched by the owner of the company that made it. When Marvel first for into making films, it secured over $500m via a major loan to fund its plans. It was felt that a Hulk movie, The Incredible Hulk, was needed quickly to help pay things off. That and Iron Man thus went into production at the same time - and one would go a lot, lot smoother than the other. Life meanwhile is an often-overlooked sci-fi hit from 2017. Not only is it a good film, though, but it came together very, very quickly. And for writer ..read more

In a special episode of the Film Stories podcast, Simon is chatting to director Joe Stephenson, and actor/producer Scott Chambers. It turns into quite a chat, only temporarily interrupted by a cup of coffee. Stephenson is the director of Doctor Jekyll, in which Chambers co-stars with Eddie Izzard. He talks about trying to get a sub-£1m film moving in the UK, and how it ended up getting a posh London premiere. He chats too about films such as Chicken and McKellen: Playing The Part. Scott Chambers chats too about his acting work in the film, but also we dig into his own secret identity, as the ..read more