“Lucian Bernhard (1883-1972) was one of the great founders of modern graphic design. In a career spanning nearly five decades in Berlin and New York, Bernhard laid the foundation for a new language of form and communication. His brilliant posters, advertisements, book designs and typefaces created the very look of the twentieth century and beyond. In this lavishly illustrated book, noted design historian Christopher Long traces Bernhard's life and career, uncovering new truths and demolishing old myths.” Long studied at the universities of Graz, Munich and Vienna, and received his doctoral deg ..read more

I interviewed Nick Anthony a year or so ago about his experience writing a first novel and getting parts of it work-shopped. Today I catch up with him to find out what he’s been doing and where he’s at now on the road to getting his first book published. We talk about, among other things, how AI has helped him in the writing process; subjective and objective readers; the difference between screen writing and novel writing; Noam Chomsky on plagiarism; Elon Musk on Harry Potter; chess; photography; Joyce’s Ulysses; Marcel Proust writing about me going to the corner store to buy a ..read more

John Sargent was too young to fight in WW ll but he spent years battling Amazon and Google in the trenches on behalf of publishers and authors, protecting copyright and defending book prices. John grew up on a cattle ranch in Wyoming. Over forty years he worked at six publishing companies, including Simon & Schuster where he was the publisher of the Children’s Division, and Dorling Kindersley where he was CEO. For the last half of his career he was the CEO of Macmillan. He’s the author of three children’s books and is currently chairman of The Ocean Conservancy. We met via Zoom to talk abo ..read more

    Joshua Doležal is a writer and award-winning teacher with 20 years of experience in publishing and editing. His mentor was Ted Kooser, former Poet Laureate of the United States and Pulitzer Prize winner. Josh's work has appeared in more than 30 magazines including The Kenyon Review and The Chronicle of Higher Education. His memoir Down from the Mountain Top: From Belief to Belonging was short-listed for the 2016 William Saroyan International Prize. He writes at The Recovering Academic on Substack, AND...he's a “book coach”.  What’s a book coach? We met via Zoo ..read more

Andrew Nash is Reader in Book History at the Institute of English Studies, University of London (a leading book history scholar in other words) and Director of the London Rare Books School. We sat down in the stacks at the Mark Longman "Books about Books" Library at the University of Reading (well, actually the Museum of English Rural Life in Reading which is somehow connected to the University and its publishers' archives collections) to talk about a course Andrew teaches ​at the London Rare Book School on how to use/work with publishers' archives. Th​ough this topic may sound a ​tad nic ..read more

Sir Tim Waterstone revolutionized bookselling in Britain and changed the country's cultural landscape. He also wrote a memoir, called The Face Pressed Against a Window (Atlantic, 2019). We met at The Garrick Club in London to talk about the book, and about how he accomplished what he accomplished.  Topics covered in our conversation include Tim's troubled relationship with his father, his eight children, the creative strategy behind growing the Waterstones empire (starting in 1982); an epiphany in Cambridge’s Heffers Bookshop; Waterstones' "happy" family; W.H. Smith, J ..read more

I was in Ireland recently to interview two of the best novelists on the face of the planet. John Banville, in Dublin, and David Mitchell, in Cork. As a cost-cutting measure I decided to ask them both the same questions: What do you do? How do you do it? Why do you do it? And: Why does it matter? I got diametrically opposed answers. So much for my cherished ambition of capturing definitive, unified explanations of what the best novelists (in this case) do, and how they do it at the dawn of the 21st century. David Mitchell is compelled to make narrative. Better and better narrative. He are ..read more

Early on in this conversation there's a dead patch. The mic didn't pick up the glorious seagull call that comes reverberating down the chimney into the room John Banville and I were sitting in.    John Banville is an Irish novelist, short-story writer, and screenwriter who hates his own work. He's won a ton of prizes ("hundreds") including the Booker in 2005 for The Sea. He's currently waiting on the Nobel. John published his first novel, Nightspawn, in 1971, and his first book, a collection of short-stories called Long Lankin, in 1970. In addition to the "literar ..read more

Last year I interviewed Margaret Atwood about "the role" of the writer. No such thing she informed me. So we talked about the "non-role." Combatative she is. Just like Tim Parks. He talks with me here about the other end of the spectrum, the reader. How to be a better one. I want him to be prescriptive, he won’t be. But he does provide a lot of excellent insights, despite the resistence. Tim is an author, essayist, and translator. He was born in Manchester in 1954, grew up in London, and studied at Cambridge and Harvard. Not sure where or if he graduated from anywhere, but no matter. He's writ ..read more

Marta Sylvestrova is a curator and art critic, and has headed the graphic design department at the Moravian Gallery in Brno, Czech Republic, since 1986. She is a graduate of Masaryk University where she studied art history, and has, over the years, been involved in the organizing of many Brno Biennieles. They feature and evaluate graphic designs from around the world every two years, alternating for many years, between celebration of book jacket design and poster design. It closed, somewhat controversially, in 2018, I went to Brno to talk to Marta about this controversy, but also, pr ..read more