Tim’s article “How to Ruin an Alto” was published in 1982-83 in The Choral Journal and in MENC’s publication. It included some strong language like “there are no good reasons for allowing women to sing tenor.” In this episode Timothy Mount, a Professor Emeritus at Stony Brook University, joins me to discuss his very strongly worded article from the early 1980’s and in what ways he still agrees and disagrees with himself forty years ago. We discuss the thorny issue of balancing the choir’s need for balance and timbre preferences against the vocal needs of the individual singer. One of the clai ..read more

The Oakwood University Aeolians have a long standing and proud tradition. Over the last few years, they shot to international fame. Jeremy Jordan is tasked with keeping the flame alive. Ever since Jason Ferdinand moved from Oakwood, the choir world started to wonder what was next for the Aeolians. After their 2019 National ACDA performance, they were thrust into the conversations about the “BEST” collegiate choirs in the world. I started to wonder who the next director would be and what kind of pressure might be attached. Enter Jeremy Sovoy Jordan, an Oakwood Alumn, composer, conductor and mu ..read more

Odell’s presentation was discussed in a recent Choral Journal article, but not named. This is his side of the story. Find more blogs at Choralosophy.Substack.com By Odell Zeigler March 23rd, 2024 In April of 2023, I was fortunate to present “An Unconventional Approach to the Urban Chorus Classroom” at the NAfME Eastern Division Conference, which was held in Rochester, New York. The objective of my presentation is that participants will be able to recognize their own challenges in the urban choral setting and combat them by implementing unconventional or modified strategies to foster music li ..read more

Queens is one of the most diverse places in the world. How can music serve as a “common language” for diverse students? This week, I am joined by Shanan Estreicher, a middle and elementary music teacher in Queens, New York. Shanan is also a composer, and songwriter who has found a magic formula to reach the students of a Title 1 school with a constantly in flux student population. The formula includes general music, chorus, songwriting and more to bridge cultural, language and prior knowledge gaps. In this discussion, Mr. Estreicher and I discuss the challenges as well as the life enriching b ..read more

Dr. Bridget Sweet is the first scholar to examine adolescent female voice change through systematic research protocols This week, we fill in a major gap in programming on the Choralosophy podcast. This is the FIRST episode on the feed diving into research and teaching practice of the female changing voice in adolescence. There will be more to come! But, for this episode I am joined be one of our pre-eminent experts, Dr. Bridget Sweet. “The Larynx is not a vagina.” Bridget advocates that we spend more time teaching kids about the physiology. The kids may giggle when you show a picture of a lar ..read more

“Being able to teach well is treated as a side quest in the Higher Ed world.” an Anonymous conversation with a PhD Music Education Professor. NEW: Find more blogs at Choralosophy.Substack.com It’s easy to equate a degree with expertise in a lot of fields, but that’s not always the case. There are veteran teachers with bachelor’s degrees whose programs have flourished under their direction, and there are doctoral graduates who might crash and burn stepping into their classrooms. Most of the best experience comes from actively being in the classroom and working with students. CHRIS MUNCE MAR 9 ..read more

Professor and researcher Martin Ashley from the UK is back to talk about more recent research related to the boys changing voice from both a biological and empirical view, as well as a qualitative experiential one. We discuss his latest compilation of crucial information, which he has made available for FREE. The eBook is called “Dead Composers and Living Boys.” It is a treasure trove of data, anecdote and advice for teachers of adolescent male singers. “The word “boy” is more of a social term than a biological or medical one. It is not uncommon in choral work for the words “boy” and “treble ..read more

In the digital realm where voices meet ideas, there’s a podcast that’s become a community hub for Choral Music: The Choralosophy Podcast started in February 2019. It was just a small gathering of a few hundred colleagues, sharing their love for choral music. Then, the unexpected happened. When the Covid-19 pandemic hit, episode 33 of the podcast seemed to strike a chord with thousands. Suddenly, it wasn’t just about music anymore – it sparked conversations among over 15,000 people and even caught the eye of the New York Times. That was the turning point. All the while, we have staid true to o ..read more

Activist, author Chloé Valdary is a diversity and anti-racism trainer with a refreshingly loving approach. This week, on Valentine’s Day, I am encouraging us to approach our ensembles, our classes, our colleagues and our neighbors with Agape. In music education, we have a very popular, and important euphemism: “I want my students to see themselves in the music, or in the ensembles I have them watch” based on the finding people who look like them. And this representation does matter! But what I don’t hear enough is, “I want my students to learn to see themselves in everyone, and in ALL of the ..read more

Nicholas Weininger, software engineer and composer, joins me this week to discuss the power of the Hebrew language in choral settings. Both in terms of its sonority and aspects of diction, but also in the contributions many ancient Hebrew texts can make to our philosophical discourses to this day. We discuss the difficulties finding choral music with rich Hebrew text, we also analyze a passage from Ecclesiastes that is the basis of a new Cantata that Nicholas composed after the pandemic. The discussion then moves to the coincidence of the new cantata’s birth into the world during a time of su ..read more