Mozart's popularity as a piano soloist begins to wane, so he adapts. In this fourth installment of The Great Composers, Mozart happily turns his focus to his first, true love: opera. Mozart writes “The Marriage of Figaro” and “Don Giovanni.” He also writes his three great, final symphonies in one summer. Listen and subscribe for more episodes hosted by Karla Walker and Scott O'Neil ..read more

Mozart blossoms as an artist but struggles to fulfill the full measure of his potential. He’s already composed numerous symphonies and concertos. And his mother tirelessly supports his career, even as their travels around Europe cause her health to deteriorate. It's the second of five episodes on Mozart, kicking off our new podcast The Great Composers. The series, hosted by Karla Walker and Scott O'Neil, offers an intimate look at some of history's greatest musical minds. Subscribe so you don't miss an episode ..read more

A child is born in Salzburg with indescribable, incomprehensible talent for music and composition. Wolfgang Amadeus Mozart travels the world and rubs shoulders with the greatest composers in Europe, all by the age of 12. It's the first of five episodes on Mozart, kicking off our new podcast The Great Composers. The series, hosted by Karla Walker and Scott O'Neil, offers an intimate look at some of history's greatest musical minds. Subscribe so you don't miss an episode ..read more

It’s an intimate look at the people who wrote some of the greatest music ever. Subscribe and hear a preview ..read more

When the urge to compose finally struck again, Rachmaninoff took a little theme by Nicolo Paganini and turned it into a tour de force for the piano and orchestra, called Rhapsody on a Theme of Paganini. In this final episode of the Great Composers series on Rachmaninoff, we also explore Rachmaninoff’s final masterpiece -- the Symphonic Dances. Rachmaninoff reaches back to the debilitating early failure of Symphony No. 1 and brings those early musical ideas to a glorious new realization ..read more

After four long years living outside of Russia due to political instability, Rachmaninoff was finally able to bring his family home. He returned with a determination to write a Russian sacred piece that would be a lasting contribution to the orthodox repertoire. The composer ultimately found success with his "All-Night Vigil," considered the crowning achievement in Russian sacred music. But the world around Rachmaninoff became chaotic again ..read more

Clickety clack. That’s all Sergei Rachmaninoff heard as he practiced his new Piano Concerto No. 3 in advance of his big American tour, during which he would debut the piece. That’s because he finished the piece just before departing for the U.S. and didn't leave himself time to practice. He had to make do with practicing on a silent keyboard on the ship. When you hear how fiendishly difficult the piece is, it makes this story even more amazing ..read more

Sergei Rachmaninoff just wasn't hungry -- literally and figuratively. So, after the success of his Piano Concerto No. 2, he took the less obvious route for a composer and dedicated himself to conducting and teaching. He just wasn't craving that next big hit. It was rising political unrest that forced him into composing again ..read more

Sergei Rachmaninoff finds himself in a funk. It’s been three years since the disastrous premiere of his Symphony No. 1 and the composer has barely written a note since then. His confidence is crushed. Self-doubt has crippled him. And it looks like his muse has left him. Enter the family intervention. In what becomes a persistent theme in Rachmaninoff’s life, his family insists that it’s time to get off the couch and back to composing. They send him to a doctor who has been experimenting with a new type of remedy: hypnotherapy. After months of positive talk therapy, and his family rooting for h ..read more

Crouched low. Hiding in a fire escape backstage with his fingers plugging his ears. This is how Sergei Rachmaninoff experienced the premiere of his Symphony No. 1. What should have been a triumphant night for Rachmaninoff turned into a nightmare which only worsened once the review appeared in the newspaper. "Diseased and perverted harmonizations." "Morbid atmosphere." Fit for the "inhabitants of Hell." These were the words used by St. Petersburg's leading music critic, César Cui, in his review of Rachmaninoff's Symphony No. 1. That very public flogging sent Rachmaninoff into a downward spiral ..read more