As you read my words now, the text has been constructed with several decisions about the words, tone, and grammar. While it seems straightforward to articulate this message rationally, it is far from pure reason and is in fact a creative and unique process to write. Can you imagine how machines would choose to write to us? If you haven't already seen an AI send text messages, you might imagine a concise and precise use of words that could only mean one thing. Language doesn’t work like that, and English is incredibly messy, and we are now seeing astounding examples of written communication fro ..read more

When AI is only worth as much as the algorithms and data it is based upon, what cultural impacts and criticisms are not afforded to what can be deemed objective data? Though we have looked at AI through the disciplines of philosophy, engineering, and art, the humanities have a lot more to do with this field as we increasingly realise the cultural potential (and indeed impact) of machine learning. Ramon Amaro is perfectly situated to identify issues with AI practice now, as a Lecturer in Visual Cultures at University College London. Ramon holds a Ph.D. in Philosophy at Goldsmiths, a Masters's d ..read more

Would you listen to a story made by a machine? We've discussed how AI can collaborate with humans in art, inspiring some truly great work across mediums. But what happens when creatives take their passion to commercial products, what room is there for AI in commercial innovation? It turns out, a lot! ABF creative is one of the world's first content producers to leverage AI in the creation of podcasts. Anthony Fraiser, ABF Creative CEO, joins the Art Intelligence Agency to discuss the process of using AI in storytelling and the considerations of AI in their multicultural practice. You can find ..read more

The study of art history brings with it questions of identifying and classifying genres, styles, and interpretations, providing an understanding of art at a sophisticated level. With the emergence of AI within artistic spaces, it has drawn contemporary art historians to consider how aesthetics play into the analytical ‘mind’ of a machine processing art. With the new aesthetic, and the blending of virtual and real worlds in artistic language, we have a lot of creative potential and we're only starting to see what that looks like. Professor Marian Mazzone is the chair of art history at the colle ..read more

While data is technically valuable to industry and science, it also makes an amazing subject for artistic exploration and expression. Data is a fantastic way of knowing about something but it is a limited experience of the world. That limitation is a great constraint for the creation of art but is also a fantastic motivation to point out through art. Equally, AI is a great tool to collaborate with for art creation, but using machine learning for commercial benefit requires reflection and critique available in fine art. The expansion of AI in the last couple of decades is something that Tega Br ..read more

Digital culture can be separate from tangible culture but the effects and integration of digital culture make it indistinguishable as we progress further into the 21st century. With constraints like video CODECs, or internet bandwidth, it is strange to think that we participate in cultures through digital means and that this represents our achievements and behaviours. We know there are AI digital influencers, and artists have incorporated AI in their art-making process, so AI is already implanted in cultural processes. But as we continue to develop and shift digital cultures, who do we recogni ..read more

AI can be seen as entirely separate or different to human intelligence, but if we consider it deeply, it is only made possible by human intelligence. Is AI just an extension of Humans then? Data policy expert and Senior Fellow at the School of Cybernetics, Ellen Broad, is certain that any faults or success behind AI really indicate human success. The influence of Ellen's book “Made by Humans: The AI Condition” made this conversation imperative to any consideration of AI in creative ventures. Ellen joins the Art Intelligence agency to demystify so AI myths and provide some insights into the his ..read more

You may know virtual bots like "Siri" or "Alexa", and you may have chatted to a bot to order a pizza, but virtual beings take these foundations to the next level. Even now we imagine personalities for our virtual assistants which amount to lines of code; we give them pronouns and ask them if they love us (just for a joke). But what happens when there is a reality like that depicted in the Hollywood films “Her”, or in "Bladerunner 2049"? Virtual assistants and chatbots have integrated into our lives without much fuss, but what about the more complex 'beings' that are being developed in virtual ..read more

So far we've shown some ways in which artists and engineers are using AI in creative ways or in creative processes and it has been a fascinating philosophical journey. In this episode, we bring Agent David Olney (as featured in episode 4) back on the podcast to discuss why AI can be 'boring' and still innovative. High reliability is a quality in contention with creativity in many ways. As a blind academic, David uses AI to get around, assess his surroundings, or even read to him and those processes have to be reliable. These programs aren't creative in conventional ways, they don't interpret a ..read more

When we look at a painting or gaze upon a movie scene, we gather the visual information on what objects are, why something may be moving, and what that might mean. For a machine, these inputs break down to 1s and 0s to make sense of this information through algorithms and patterns. Visual systems are incredibly complex, and replicating them for those without sight is a significant technological challenge. Agent Saqib Shaikh is a software engineer at Microsoft and project lead of Seeing AI, a mobile application that narrates the world around us. To address the capability of AI for visually impa ..read more