Sawako Nakayasu: Grief Textures
Poetry Centered
by University of Arizona Poetry Center
2M ago
Sawako Nakayasu selects poems that confront griefs personal and national, told directly and obliquely. She introduces Timothy Liu documenting the atrocities of Japanese imperialism (“A Requiem for the Homeless Spirits”), Daniel Borzutzky’s translation of Raul Zurita witnessing to the brutal crimes of the Chilean dictatorship (“Song for His Disappeared Love”), and Keith Waldrop conjuring a grief-riddled dream landscape (“An Apparatus”). Nakayasu closes with her own “Ant in a silvery tide,” a poem linked to a time of personal grief. Find the full recordings of Liu, Borzutzky, and Waldrop reading ..read more
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Jake Skeets: Saad, Where We All Started
Poetry Centered
by University of Arizona Poetry Center
4M ago
Jake Skeets curates poems by Diné poets centering on translation and the way that the Diné language orients its speakers to the world, which exists before them. He shares Rex Lee Jim’s invocation of voice as what brings life (“Language”), Laura Tohe’s embodiment of meaning in rhythm and sound (“Niltsá Bi'áád, Female Rain” and “Niltsá Bika', Male Rain”), and Luci Tapahonso’s blending of Diné syntax with English (“Hills Brothers Coffee”). Skeets closes with his poem “Emerging,” which traces the act of translation between English and Diné. Watch the full recordings of Jim, Tohe, and Tapahonso rea ..read more
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Sally Wen Mao: Poetic Awakening
Poetry Centered
by University of Arizona Poetry Center
5M ago
Sally Wen Mao shares poems that trace her awakening as a poet, invoking teachers both in person and on the page. She introduces Claribel Alegría on how to express the unknowable and untraceable (“Savoir Faire”), Terrance Hayes on transformation as the role of poetry in the world (“The Deer”), and Bhanu Kapil on poetic language as a means of collapsing borders (“Humanimal”). Mao concludes with her poem “a dream or a fox,” written after Lucille Clifton’s “A Dream of Foxes.”  Find the full recordings of Alegría, Hayes, and Kapil reading for the Poetry Center on Voca: Claribel Alegría (1997 ..read more
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Lauren Camp: Our Little Perfections
Poetry Centered
by University of Arizona Poetry Center
5M ago
Lauren Camp selects poems that each inhabit a place, a music, another person—shaping a cosmos large or small in language. She introduces Beckian Fritz Goldberg synchronizing past and present (“Black Fish Blues”), Olga Broumas moving through shadows toward individual lives (“The Moon of Mind Against the Wooden Louver”), and Lisel Mueller cherishing names as a beginning (“Naming the Animals”). Camp closes with her poem “Ode to Two,” where land, house, and lovers are celebrated by light. Listen to the full recordings of Goldberg, Broumas, and Mueller reading for the Poetry Center on Voca: Beckian ..read more
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Sophia Terazawa: Enemy, Beloved
Poetry Centered
by University of Arizona Poetry Center
9M ago
Sophia Terazawa introduces poems that lead us to encounter both the beloved and the enemy, seeing them blurred and intertwined—seeing them as human. She shares Joy Harjo’s prayer of courage for the heart (“This Morning I Pray for My Enemies”), Khaled Mattawa’s recognition of the faceless dead (“Face: To the One Million Plus”), and Carolyn Forché’s liturgy for the last hour (“Prayer”). To close, Terazawa reads her poem “Gibbons Howling,” a prayer spoken from dreams into dust.    Watch the full recordings of Harjo, Mattawa, and Forché reading for the Poetry Center on Voca: Joy Harjo ..read more
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Bonus: Radical Reversal in Birmingham
Poetry Centered
by University of Arizona Poetry Center
1y ago
Radical Reversal highlights the reformative abilities of the arts by bringing poetry, music, and music production workshops—along with performance and recordings spaces—to detention centers and correctional facilities. In this bonus episode, Radical Reversal co-founder Randall Horton shares recordings from three youth writers and performers who worked with Radical Reversal at Jefferson County Youth Detention Center in Birmingham, Alabama. Poet Patrick Rosal makes a guest appearance on flute for the track "Aint No Love in the Streets." To watch readings by poets whose work engages with the cri ..read more
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Manuel Paul López: Small and Immense Mysteries
Poetry Centered
by University of Arizona Poetry Center
1y ago
Manuel Paul López curates poems that draw us into the nourishing mysteries of water. He shares Ofelia Zepeda’s evocation of moisture’s deep ties to people and land ("The Place Where Clouds Are Formed"), Li-Young Lee’s meditation on weeping and the gifts given by those we’ve lost ("'Why are you crying,' my father asked…"), and Quincy Troupe’s precise, tender visions of sunlight and sea ("The Point Loma Series of Haikus and Tankas"). López closes with "Green Water," his own meditation on "the wild taste of self-preservation." You can watch the full recordings of Zepeda, Lee, and Troupe reading f ..read more
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JD Pluecker: Always Returning
Poetry Centered
by University of Arizona Poetry Center
1y ago
Undisciplinary writer and translator JD Pluecker curates recordings that circle around themes of return, transformation, history, and the future. Pluecker introduces Joy Harjo finding what remains in the wreckage (“New Orleans”), Andrea Lawlor considering how one thing turns into another (excerpt from “Paul Take the Form of a Mortal Girl”), and C.D. Wright turning herself into an ancestor (“Our Dust”). Pluecker closes by reading “Return Unsettlement,” which asks whether anything is ever quite gone or has ever quite arrived. Enjoy the full recordings of Harjo, Lawlor, and Wright reading for the ..read more
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Juan Felipe Herrera: Humanity, Compassion, Action, Protest
Poetry Centered
by University of Arizona Poetry Center
1y ago
Former U.S. Poet Laureate Juan Felipe Herrera shares poems that consider the questions, what exactly is poetry? What does it do? Herrera crafts an expansive answer to these questions through Marvin Bell’s reflection on poetry as philosophy (“The Poem”), Denise Levertov’s engagement with truth in sacred spaces (“The Day the Audience Walked Out on Me, and Why”), and Lorna Dee Cervantes’s assertion that poetry is the force and form of resistance (“From the Bus to E.L. at Atascadero State Hospital”). To close, Herrera shares his poem “For George Floyd, Who Was a Great Man,” a work that encapsulate ..read more
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