Beethoven's five sonatas for cello and piano span his career - two from the beginning, one from the middle and two from his late period - so they provide a good framework for talking about the composer. Timo-Veikko Valve and Aura Go have recorded them alongside the complete music for cello and piano by Anton Webern (three works, together lasting under ten minutes) and they'll be in the studio to talk about them and play excerpts.  Alison Cotton is a London-based experimental artist whose viola/drone/voice/soundscape-rich music is very hard to pigeonhole. Her new album ..read more

In Southern Louisiana, a few hours from New Orleans, Ann Savoy has spent a lifetime studying, playing and collecting Cajun music. She's best known for her trio Savoy-Doucet Cajun Band, her duet album with Linda Ronstadt Adieu False Heart, and touring and playing festivals with the Savoy Family Band. Ann has just released her first ever solo album, Another Heart, which pays tribute to her early musical loves, the English and American singer songwriters of the 1960s and 70s, but with a Cajun twist. Pianist and composer Wilbur Whitta has released Wildfire,  ..read more

Duo Windborne are two of Australia’s finest recorder players: Rodney Waterman and Ryan Williams. Their debut album, Venus Bay Fireside Sessions, is a record of their improvisational partnership. Originally intended to be recorded outside as a direct response to the natural world of Venus Bay, the weather drove them indoors and beside the fire – hence the title. They join Andy in studio with a fraction of their huge instrument collection to talk about their relationship with nature, their collaboration, and mount a defence of their much maligned instrument. Coral Reid is a fiddle player, a clog ..read more

Four pieces of music written in the years after World War II – Strauss’s Metamorphosen, Schoenberg’s A Survivor from Warsaw, Britten’s War Requiem, and Shostakovich’s 13th Symphony, ‘Babi Yar’  – paint a complicated picture of how European composers memorialised war in Jeremy Eichler’s new book Time’s Echo. Jeremy joins Andy on the show to trace the connections and conflicts in the ways that a German, a Jewish Austrian in exile, an Englishman, and a Russian looked back at the war(s) and the Holocaust. Time’s Echo: The Second World War, the Holocaust, and the Music of Remembrance by Jeremy ..read more

Aboriginal and Torres Strait Islander listeners are advised that this program contains the name of someone who has died. Melbourne double bassist Sam Anning’s latest album is dedicated to Archie Roach. The album’s title Earthen comes from a remark Roach made from his hospital bed about instruments being ‘earthenware’—coming from the earth, carrying music and then returning to the earth. The septet on this record is made up of Anning's friends and long-term collaborators and he reflects on writing for specific people rather than instruments, and how tragedy and grief can become j ..read more

Icelandic pianist Víkingur Ólafsson is most of the way through an international tour that sees him playing Bach’s Goldberg Variations almost a hundred times, including his first ever performances in Australia. He joins Andy in the studio, in front of the piano, to talk about finding infinite variety in those Variations. We remember the late pianist Maurizio Pollini who died this week. “With Pollini things were never simple,” says Víkingur Ólafsson, “Chopin became the musical architect, Stockhausen the poet, Beethoven the philosopher. Many of us became better listeners and players.” Plus new mu ..read more

In the 1960s, the Les Girls Revue made Carlotta a star, and earned her the moniker “Queen of the Cross”. In Sydney’s red light district, she made a name for herself before hitting the road – she’d be the first to remind you that Priscilla, Queen of the Desert is at least partially based on her rural tours. Now she’s contemplating (but not committing to) retirement, she looks back at her career as an entertainer with Andrew Ford.   Maria Grenfell is a composer for the concert hall and for film, and also a teacher of composition at the University of Tasmania Conservatorium of Musi ..read more

From the rattling charge of The Lone Ranger to the slick, warbling vocals of White Lotus, music for television has been beckoning us to the couch for the best part of a century. In Music for Prime Time: A History of American Television Themes and Scoring, Jon Burlingame has charted the history of music for telly in the form of an elegiac sort of look back at the medium as streaming overtook network TV and the 2007 writers’ strike looked to have changed the medium forever. Now a new edition, released in the context of a new and bitterly long writers’ and actors’ strike, may serve as an elegy fo ..read more

Peter Garrett has still got a fire in his belly at 70. The True North, his new solo album, tackles similar ground to an Oils record—the climate crisis, politics and addiction to technology, but it's his own songwriting voice out front. The songs contain messages of hope and anger in equal measure. The music is provided by The Alter Egos (which includes Midnight Oil alumnus Martin Rotsey and The Jezabels' Heather Shannon) as well as his daughters Grace and May on backing vocals. Opera Australia is a beast of a company, most famously nestled beneath the sails of the Sydney Opera House ..read more

It was hard to miss Corinne Bailey Rae’s ubiquitous track from 2006 'Put Your Records On'. And it’s still heard in coffee shops the world over. The English singer songwriter released her fourth studio album late last year and it represented a complete left turn in both sound and subject. Black Rainbows is her first album not on a major label and spans genres like rock, jazz and punk. It's a celebration of Black history and resilience, with each track inspired by books, photographs and objects that Corinne encountered at the Stony Island Arts Bank in Chicago. Ju Ben is a Fijian h ..read more