PAYING/NO FEE Submission call + editor interview – Dead Forever, DEADLINE: Nov. 1, 2024
Trish Hopkinson
by Trish Hopkinson
7M ago
Dead Forever is the second Grateful Dead themed poetry anthology currently open for submissions of poems inspired by the Grateful Dead and related music projects. They are a paying market. You can read more about what they are up to, what they are looking for, and specific call ..read more
Visit website
Black Dog Poetry Open Mic featuring Trish Hopkinson TONIGHT! 8/20/2024, 7pm CT
Trish Hopkinson
by Trish Hopkinson
7M ago
I’m pleased to announce I’ll be featuring for Black Dog Poetry Open Mic on Tuesday, August 20 at 7pm Central time. You can sign up to read via their Facebook page. Join us to share your own work, hear new poems from me from my most recent projects ..read more
Visit website
NEW! NO FEE Submission call/interview – Barahm Press, DEADLINE: Aug. 15, 2024
Trish Hopkinson
by Trish Hopkinson
8M ago
Barahm Press is a new micropress committed to uplifting BIPOC diasporic voices. They seek to amplify stories that speak to the complexities of displacement, cultural memory, and the ongoing struggle for liberation. They publish handcrafted letterpressed books and broadsides as well as online folios. They are currently accepting submissions of protection spells for their first online folio and are also in the early planning stages of their first letterpress chapbook.  HOPKINSON: How/why was Barahm Press originally started?  KOOK: The press is run by three Korean American ..read more
Visit website
Trish Hopkinson ~ 3 Questions & a Poem via Deborah-Zenha Adams
Trish Hopkinson
by Trish Hopkinson
9M ago
  It was a great pleasure to be interviewed by Deborah-Zenha Adams for her 3 Questions & a Poem interview series via substack. She recently launched this substack to provide “[t]ips, tales, and tons of advice from professional writers and editors to help you on your writing journey.” You can subscribe for free content or for additional content via the paid option for a very reasonable $5/month. While I’m currently only posting on my website occasionally, there are many resources available online to use for current submission calls and other helpful tips,  check out some of these ..read more
Visit website
12 Lit Mags Featuring Disabled/Chronically Ill Writers and Artists
Trish Hopkinson
by Trish Hopkinson
9M ago
There are many literary magazines and journals that promote and lift underrepresented voices traditionally not published or recognized. Whether you are a lover of literature, a professor, or poet, writer, or artist yourself, the publications listed below can broaden your perspective and help you discover new and amazing work created by those in the disabled community. Several are currently seeking work from disabled poets, writers, and artists and some have specific eligibility for writers and artists to contribute. Many are open to all writers and artists and/or all marginalized writers and ..read more
Visit website
4 poems published in Does It Have Pockets
Trish Hopkinson
by Trish Hopkinson
11M ago
Tremendous thanks to the editors at Does It Have Pockets for publishing four of my poems in their May issue from my most recent book A Godless Ascends, including: “Aftermath: ~48 Hours,” “Intensive Care,” “To My Unconscious Son,” and ” “Back to Life.” These four poems are from the fourth section of the book dedicated to my son and are poems of recovery. It’s important to me that these personal poems are out in the world.  Many of you know that in 2015 my son (21 at the time) was in a horrible accident in which he was hit on his bicycle by someone in a pickup truck in downtown Salt Lake Ci ..read more
Visit website
Review of A Godless Ascends by Kristiane Weeks-Rogers via Tinderbox Poetry Journal
Trish Hopkinson
by Trish Hopkinson
11M ago
I’m so grateful for the beautiful insights and thoughtful words from fellow poet Kristiane Weeks-Rogers in her review of my most recent poetry book A Godless Ascends published by Lithic Press in March.  As always, tremendous thanks to Tinderbox Poetry Journal for their generous support over the years and for publishing the review! Kristiane Weeks-Rogers (she/her) is a Poet-Writer living in western Colorado. She is the Managing Editor of Small Harbor Publishing. Her debut poetry collection, Self-Anointment with Lemons released in September 2021 by Finishing Line Press. She is the 2nd ..read more
Visit website
PAYING/NO FEE Submission call + editor interview – Chicken Soup for the Soul
Trish Hopkinson
by Trish Hopkinson
11M ago
Chicken Soup for the Soul was founded in 1993, “sharing happiness, inspiration and hope through our books, we still publish a new title every month. But we also have a podcast, educational programs, dog and cat food, and our entertainment business, which creates and distributes TV, film and video content to consumers through our free Crackle, Popcornflix and newly launched Chicken Soup for the Soul apps, among others.” They are a paying market looking for stories and poems that tell a story for future publications and have several submission calls open for different topics, including holidays ..read more
Visit website
Poetry Workshop & Reading w/ Ziggies Open Mic – April 23 & May 2
Trish Hopkinson
by Trish Hopkinson
1y ago
I’m pleased to announce I’ll be teaching a generative poetry workshop for Ziggies Open Mic on Tuesday, April 23 from 6 – 8:30pm MT, followed by a reading and open mic on Thursday, May 2 at 6pm.  In this virtual workshop, we’ll read and learn about epistolary poems or poems as letters, including time to generate poems using several prompts. For more information or to register (small $5 fee) email Julie Cummings (jcummings@gmail.com). For more information on upcoming in-person and virtual readings, see my Readings & Events page. Upcoming Readings & Events April 17, 2024, 6:30pm MT ..read more
Visit website
Persona Poetry as a Memoir Writing Technique (part 2/2) – guest blog post by Kimberly Burnham, PhD
Trish Hopkinson
by Trish Hopkinson
1y ago
We can use persona poetry techniques to write memoires. Technically, memoir poetry is not persona poetry, because in persona poetry, the poet and the speaker are different people. It is a bit like ghostwriting. We want to preserve the feeling that it’s true to the person’s voice, even when it is not our voice. One can make the case that when I try to write about a memory from my five-year-old self’s point of view, the poet and the speaker are different people. At 66 I am not physically different but certainly I am emotionally and experientially unlike my 16-year-old self. In persona poems the ..read more
Visit website

Follow Trish Hopkinson on FeedSpot

Continue with Google
Continue with Apple
OR