Unwrapping Media Composer 2020.12
Avid Blogs
by Kate Ketcham
1y ago
What can I say about 2020 that hasn’t already been said? There have been highs and lows. And then more lows. And then some really low lows. There have been a number of bright spots along the way, too, and we think our latest release of Media Composer is one of them. We’re thrilled to present some of our most exciting features to close out the year. It’s time to celebrate the holidays and ring in the New Year with a gift you’ll be happy to receive! http://www.avidblogs.com/wp-content/uploads/2020/12/MC2020_12-Audio-Mixer-Resize.mp4   http://www.avidblogs.com/wp-content/uploads/2020/1 ..read more
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Creating your Dolby Atmos Mix Using Headphones
Avid Blogs
by Ceri Thomas
3y ago
With the new Dolby Atmos Renderer 3.5, you now get an even better binaural headphone experience that lets you create in Dolby Atmos from anywhere, so you can start creating and releasing today. Unlike 2012 when creating in Dolby Atmos would have required a large mixing stage, you can now create Dolby Atmos mixes via headphones with your Pro Tools | Ultimate setup and the Dolby Atmos Production Suite.   Binaural Dolby Atmos has earned its place as the premiere immersive audio experience in theatres and studios with very large speaker installations, and the CE industry has continued to d ..read more
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Reason and Pro Tools — The Perfect Match
Avid Blogs
by Greg Stryke Chin
3y ago
It’s an exciting time to be producing music. Reason, the celebrated rack of virtual gear, is no longer just standalone music software. With Reason 11, Reason Studios (formerly known as Propellerheads) has brought the entire rack to all other DAW users with the Reason Rack Plugin. We’ve spent some quality time with the brand new AAX version and wow, it’s great to be back! Originally conceived way back in 2000, Reason’s walked a different path than other music software. While it’s grown from a synth rack into a full-fledged DAW, the focus is and always has been on the masterfully designed d ..read more
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Drum Set Notation in Sibelius Roundup
Avid Blogs
by John Hinchey
3y ago
As a summary of my “Drum Set Notation in Sibelius” blogs, I’ve created this video demonstrating many of the techniques discussed over the 5-part series. Express yourself with Sibelius Create beautiful, captivating scores more quickly than ever before with the world’s best selling notation software. AVID SIBELIUS GET IT NOW The post Drum Set Notation in Sibelius Roundup appeared first on Avid Blogs ..read more
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Drum Set Notation in Sibelius: Part 5
Avid Blogs
by John Hinchey
3y ago
Combination notation and cues In this blog I’ll be covering two topics: Combination notation, where a bar is partially slash notation and partially notated with notes and rests Various methods of cueing in drum set parts Note: I will recommend a couple of plugins in this post. You will find them both under File>Plug-ins>install plug-ins>Notes & Rests. If you need a refresher on installing plugins see my previous post in this series.   Combining full and slash notation As you can see from this example above, sometimes you have bar that is fully notated for part of the ..read more
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Drum Set Notation in Sibelius: Part 4
Avid Blogs
by John Hinchey
3y ago
Repeat bars, slash and rhythmic notation In this blogpost I’ll take you through repeat bars and slash notation. As in previous posts, I’ll cover plugins and built-in features that will really speed up your workflow when creating drum set parts.   Repeat bars Let’s face it, most drum set parts consist of a lot of repetition. The drums create that steady undercurrent that moves the piece along. If you want the drummer to play exactly the same pattern over and over, the best way is to use repeat bars. It’s easy to do this in Sibelius | Ultimate. You simply select the bars you want to ..read more
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Unwrapping Media Composer 2020.12
Avid Blogs
by Kate Ketcham
3y ago
What can I say about 2020 that hasn’t already been said? There have been highs and lows. And then more lows. And then some really low lows. There have been a number of bright spots along the way, too, and we think our latest release of Media Composer is one of them. We’re thrilled to present some of our most exciting features to close out the year. It’s time to celebrate the holidays and ring in the New Year with a gift you’ll be happy to receive! http://www.avidblogs.com/wp-content/uploads/2020/12/MC2020_12-Audio-Mixer-Resize.mp4   http://www.avidblogs.com/wp-content/uploads/2020/1 ..read more
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Avid VENUE 7 Software Now Available!
Avid Blogs
by Ryan John
3y ago
If Avid released software with post-fader inserts in it, it would be a big release. If Avid did a release with HEAT processing on every input channel it would be huge. A launch with bus-to-bus routing would be epic. So, what do you call it when it’s got all of those AND a heck of a lot more? We called it VENUE 7, and it’s packed with updates including over 400 bug fixes and an almost unreasonably long list of new features. We went through almost every S6L user request, identified which were the most requested, figured out what was actually achievable within the year, and got them done. Get r ..read more
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Avid Audio Community Plugin
Avid Blogs
by Greg Stryke Chin
3y ago
Join the Avid Audio Solutions Specialist team as they cover a range of topics and interview leading engineers and sound designers from around the world. Check back often to see what webinars are coming up and watch past webinars on-demand. Upcoming Webinars Tuesday, December 15th, 2020 17:00 London (BST)/12:00 New York (EDT) Avid Audio Year in Review Please join us for the final Community Plugin of the year where we will take a look back at the world of Audio from Avid in 2020, from Pro Tools and EUCON software releases, to ground-breaking new hardware, you won’t want to miss this one! A ..read more
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Embody and Avid Revolutionize Mixing & Mastering on Headphones with Immerse Virtual Studio Plugin
Avid Blogs
by Ed Gray
3y ago
Many of us music producers, mixing, and mastering engineers work in studios that may be less than ideal acoustic environments. Whether for work-from-home, bedroom production, on-the-go mastering, we rely on our headphones for critical monitoring. However, headphones alone don’t give us the full benefit of working in an acoustically-treated listening environment with high-end monitors. Given the growing availability to bedroom producers of affordable, easy to use gear and plugins, the next brick to fall is the access to world-class studios, to audition mixes in amazing sound rooms. Travel cos ..read more
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