Adaptations of novels into one-person shows have yielded powerful theatre in the last few years: A Girl Is A Half-Formed Thing by Eimear McBride at the Young Vic is one of my most memorable shows ever. Boy Parts, the acclaimed novel by Eliza Clark, is here transformed into solo show by playwright / adapter Gillian Greer and director Sara Joyce. A few years ago, the novel was a darling of BookTok – not that I’d’ve known. It’s touted as the successor to Fleabag or One-Woman Show, with whom it’s rubbing shoulders at the Soho Theatre. And it’s a successful, though flawed, chaser to the above ..read more

Adaptations of novels into one-person shows have yielded powerful theatre in the last few years: A Girl Is A Half-Formed Thing by Eimear McBride at the Young Vic is one of my most memorable shows ever. Boy Parts, the acclaimed novel by Eliza Clark, is here transformed into solo show by playwright / adapter Gillian Greer and director Sara Joyce. A few years ago, the novel was a darling of BookTok – not that I’d’ve known. It’s touted as the successor to Fleabag or One-Woman Show, with whom it’s rubbing shoulders at the Soho Theatre. And it’s a successful, though flawed, chaser to the above ..read more

Adaptations of novels into one-person shows have yielded powerful theatre in the last few years: A Girl Is A Half-Formed Thing by Eimear McBride at the Young Vic is one of my most memorable shows ever. Boy Parts, the acclaimed novel by Eliza Clark, is here transformed into solo show by playwright / adapter Gillian Greer and director Sara Joyce. A few years ago, the novel was a darling of BookTok – not that I’d’ve known. It’s touted as the successor to Fleabag or One-Woman Show, with whom it’s rubbing shoulders at the Soho Theatre. And it’s a successful, though flawed, chaser to the above ..read more

Adaptations of novels into one-person shows have yielded powerful theatre in the last few years: A Girl Is A Half-Formed Thing by Eimear McBride at the Young Vic is one of my most memorable shows ever. Boy Parts, the acclaimed novel by Eliza Clark, is here transformed into solo show by playwright / adapter Gillian Greer and director Sara Joyce. A few years ago, the novel was a darling of BookTok – not that I’d’ve known. It’s touted as the successor to Fleabag or One-Woman Show, with whom it’s rubbing shoulders at the Soho Theatre. And it’s a successful, though flawed, chaser to the above ..read more

Adaptations of novels into one-person shows have yielded powerful theatre in the last few years: A Girl Is A Half-Formed Thing by Eimear McBride at the Young Vic is one of my most memorable shows ever. Boy Parts, the acclaimed novel by Eliza Clark, is here transformed into solo show by playwright / adapter Gillian Greer and director Sara Joyce. A few years ago, the novel was a darling of BookTok – not that I’d’ve known. It’s touted as the successor to Fleabag or One-Woman Show, with whom it’s rubbing shoulders at the Soho Theatre. And it’s a successful, though flawed, chaser to the above ..read more

Adaptations of novels into one-person shows have yielded powerful theatre in the last few years: A Girl Is A Half-Formed Thing by Eimear McBride at the Young Vic is one of my most memorable shows ever. Boy Parts, the acclaimed novel by Eliza Clark, is here transformed into solo show by playwright / adapter Gillian Greer and director Sara Joyce. A few years ago, the novel was a darling of BookTok – not that I’d’ve known. It’s touted as the successor to Fleabag or One-Woman Show, with whom it’s rubbing shoulders at the Soho Theatre. And it’s a successful, though flawed, chaser to the above ..read more

Adaptations of novels into one-person shows have yielded powerful theatre in the last few years: A Girl Is A Half-Formed Thing by Eimear McBride at the Young Vic is one of my most memorable shows ever. Boy Parts, the acclaimed novel by Eliza Clark, is here transformed into solo show by playwright / adapter Gillian Greer and director Sara Joyce. A few years ago, the novel was a darling of BookTok – not that I’d’ve known. It’s touted as the successor to Fleabag or One-Woman Show, with whom it’s rubbing shoulders at the Soho Theatre. And it’s a successful, though flawed, chaser to the above ..read more

Adaptations of novels into one-person shows have yielded powerful theatre in the last few years: A Girl Is A Half-Formed Thing by Eimear McBride at the Young Vic is one of my most memorable shows ever. Boy Parts, the acclaimed novel by Eliza Clark, is here transformed into solo show by playwright / adapter Gillian Greer and director Sara Joyce. A few years ago, the novel was a darling of BookTok – not that I’d’ve known. It’s touted as the successor to Fleabag or One-Woman Show, with whom it’s rubbing shoulders at the Soho Theatre. And it’s a successful, though flawed, chaser to the above ..read more

Adaptations of novels into one-person shows have yielded powerful theatre in the last few years: A Girl Is A Half-Formed Thing by Eimear McBride at the Young Vic is one of my most memorable shows ever. Boy Parts, the acclaimed novel by Eliza Clark, is here transformed into solo show by playwright / adapter Gillian Greer and director Sara Joyce. A few years ago, the novel was a darling of BookTok – not that I’d’ve known. It’s touted as the successor to Fleabag or One-Woman Show, with whom it’s rubbing shoulders at the Soho Theatre. And it’s a successful, though flawed, chaser to the above ..read more

Adaptations of novels into one-person shows have yielded powerful theatre in the last few years: A Girl Is A Half-Formed Thing by Eimear McBride at the Young Vic is one of my most memorable shows ever. Boy Parts, the acclaimed novel by Eliza Clark, is here transformed into solo show by playwright / adapter Gillian Greer and director Sara Joyce. A few years ago, the novel was a darling of BookTok – not that I’d’ve known. It’s touted as the successor to Fleabag or One-Woman Show, with whom it’s rubbing shoulders at the Soho Theatre. And it’s a successful, though flawed, chaser to the above ..read more