Embracing Opportunity
On Landscape Magazine
by Cody Schultz
19h ago
Over the course of the last few months, we have experienced what feels like a record-breaking amount of rain. The land around me is in a constant flux of flooding. The creek behind the house has not held so much water in many years, and the yard -- despite our best efforts -- seems to hold upon it more water than the pool itself. This has caused quite a few issues, namely that the grass in certain sections cannot get to grow, and the puppies are struggling to find spots in the yard to go about their business. If this rain were to continue on for just a few more days (it has already been rainin ..read more
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Ellie Davies
On Landscape Magazine
by Ellie Davies
2d ago
Ellie's work has continued to inspire me with her projects, enthusiasm and creativity. Each project focuses on addressing human impacts on a specific environment, such as the New Forest in the South of England and on the plight of extremely rare and endangered UK chalk streams. Her body of work that leaves the viewer with a call to action that these environments need preserving. It was 2017 when we first interviewed you; that’s 7 years ago! What have you been working on since then? Were there any highlights or experiences that you’d like to share? I can’t believe it’s been seven years! Since w ..read more
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Book Review: Hypnosis
On Landscape Magazine
by Alexandra Wesche
6d ago
In the middle of our walk of life, I found myself within a forest dark, for the straightforward pathway had been lost.~Dante, The Divine Comedy Since the early days of storytelling, the forest has provided a fitting metaphor for a variety of topics. It's an environment over which we have limited control. It's a place that can be obscure and barely accessible. It serves as a symbol for a journey into the subconscious, for growing up and personal development. As such it is a popular and strong theme in all the arts, that never seems to lose its impact or substance. The dark wood is a venue for d ..read more
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Issue 301
On Landscape Magazine
by Tim Parkin
1w ago
Click here to download issue 301 (high quality, 96Mb) Click here to download issue 301 (smaller download, 56Mb) The post Issue 301 appeared first on On Landscape ..read more
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End frame: Blade of light by Rafael Rojas
On Landscape Magazine
by David Driman
2w ago
Just as this butter knife incises and illuminates a dark Venetian canal, so did Venice illuminate our world. Since its founding in the 6th century as the Republic of Venice, this city became a major financial and maritime power during the Middle Ages and Renaissance, an important centre of commerce, art and music, and a rich merchant republic. And of course, today, it remains an urban or street photographer’s paradise. As with many of the best images, the sense of mystery and ambiguity in this image invites the viewer to engage with the image and to ask questions of it, all of which enhances t ..read more
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Suzanne Mathia – Portrait of a Photographer
On Landscape Magazine
by Matt Payne
2w ago
This past summer, I embarked on a 35-day journey to hike 500 miles and climb 30 mountains along the Colorado Trail. On this journey, I spent a great deal of time reflecting on the meaning of life, how to find a greater purpose and other heavy philosophical questions. I also tried to find a way to think through how, if at all, photography intersects with such existential pondering. One conclusion I stumbled upon was that photography can be a fantastic gateway and vehicle through which these questions can be answered for each person if one chooses. The subject of today’s essay embodies this idea ..read more
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The Sheffield Great Flood of 1864
On Landscape Magazine
by Martyn Pearson
2w ago
By the 19th Century, Sheffield’s rapid industrial expansion stimulated population growth, calling for a reliable water source to provide power for industry and to improve sanitation for residents, many of whom lived in squalid shared housing. Consequently, an ambitious programme of reservoir construction was undertaken. The Dale Dyke dam excavations began on 1st January 1859. On the evening of 11th March 1864, during a violent storm, a crack was spotted in the embankment of the recently completed Dale Dyke dam. The resident engineer, John Gunson, was summoned to inspect the now widening fissur ..read more
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Peter Gordon
On Landscape Magazine
by Peter Gordon
2w ago
When I reached out to Peter earlier this year, he was just heading off to Norway, closely followed by what was described as one of the strongest storms to hit the country in several decades; winter travel always has the potential to surprise. This all seems a marked contrast with the body of work that caused me to approach him: quiet, softly lit, images of his Ireland. I always like to select images from a photographer’s home ground, irrespective of where their adventures may take them - it’s where I think we most reveal our individuality - and in recent years it feels like moments of calm are ..read more
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Landscape as Visual Haiku
On Landscape Magazine
by Keith Beven
2w ago
on the mountain crests a line of wild geese and the moon’s seal Yosa Boson a clear waterfall – into the ripples fall green pine-needles Matsuo Bashō1 In a recent article for On Landscape (A little piece of Eden), I included three short poems about Mallerstang written during the Covid lockdown to accompany the abstract images of water. These were examples of the haiku form that originated in Japan. I am sure that many of the minimalist landscape photographers amongst you will already have looked at the application of some traditional Japanese belief frames such as Zen, concepts such as wabi sab ..read more
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Lost & Found in Fog
On Landscape Magazine
by Douglas Butler
2w ago
How a lost wedding ring, an innkeeper and perseverance cut through the fog of loss & reminded me that when creative inspiration leaves, a journey along the timeline from lost to found remains though likely veiled and unseen. Elation welled up in me as I spotted, glinting in the bright midday sun, nestled in a sandy rut, the shimmering, threadlike golden crescent of metal, nearly the colour of the sand that cradled it. That sandy rut was one of a pair that, together, carved a road of sorts. That road bisected the swath of land that lay under a length of a high-voltage power lines. A strip o ..read more
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