On the face of it, I wouldn’t have bet that I would take to Yorgos Lanthimos’s latest film, but I am crazy about Poor Things. This high-flying feminist variation on the Frankenstein tale is as wacky and unpredictable as a Tex Avery cartoon. No other film in recent memory can match it for sheer ingenuity, both in terms of storytelling and visual execution. Lanthimos has gotten the best out of his many collaborators on both sides of the camera. Emma Stone delivers a fearless performance, much of it unclothed, and her bravado is matched by costars Mark Ruffalo, Willem Dafoe, and a strai ..read more

Ava DuVernay has taken a big swing and hit a home run. Origin tells the story of how Pulitzer Prize-winning author Isabel Wilkerson pursued an idea that tied the notorious murder of Trayvon Martin to the existence of slavery in America, the Nazi attempt to exterminate Jews in Germany, and the treatment of Dilats in India. The key was determining that it was the caste system, not racism, that fueled these phenomena. The beauty of the film is how DuVernay puts us in Wilkerson’s shoes and allows us to learn and discover this connection, step by painful step. The casting of the gift ..read more

THE PATH TO PARADISE: A FRANCIS FORD COPPOLA STORY by Sam Wasson (Harper) Having taken a “big picture” approach to the making of Breakfast at Tiffany’s and Chinatown, Wasson focuses here on an individual rather than a film. This is not a conventional biography, but the saga of a man with the soul of an artist. He doesn’t play by the rules and is never satisfied because perfection is always just out of reach. He’s a dreamer, an idealist, a gifted filmmaker who has made masterpieces but rarely derives pleasure from the experience. He is one of a kind: Francis Ford Coppol ..read more

The following article was written by my friend and colleague Alonso Duralde. You can learn more about him HERE. Whether you’re stuffing the stocking of a physical-media fan or just building up your own holiday home-video library, there’s an eclectic selection of media guaranteed to spice up your Christmas. Holiday Horrors and Thrillers The 4K release of 2022’s sleeper hit Violent Night (Universal Pictures Home Entertainment) – starring David Harbour as an exhausted Santa who has to face off with a team of criminals headed by John Leguizamo – is one of several new releases that color way outsid ..read more

It’s a shame that this ambitious movie is a muddle, for director Ridley Scott has staged some of the most astonishing battle scenes ever put on film. Gigantic in scale and scope, they make the viewer feel like a participant, taking that overused word “immersive” to another level of meaning cinematically. However, some of the dialogue is ludicrous and prompted (presumably) unintended laughter at the showing I attended and others I have heard about. Most of this has to do with his wooing of Josephine and dogged determination that she produce a male heir. We never understand the mutual attraction ..read more

I don’t know where or how Bradley Cooper got the ambition to make this powerfully challenging film, or the fortitude to both direct and co-script it while playing the leading character, but it is clearly a labor of love. Many passion projects lose something on the way to the screen, but Maestro is an exception: a deeply felt, magisterial film that provides its leading man with a formidable showcase and a captivating role for his costar, Carey Mulligan.  Like many other baby boomers, I grew up watching Leonard Berns ..read more

David Fincher’s films are often cold-blooded and I was wary of him adapting the graphic novel The Killer. Sure enough, this cheerless bit of 21st century pop existentialism is schematically laid out, following an assassin as he performs one hit after another. Fincher is also a master craftsman, and the film is meticulously well-made, drawing on the talents of cinematographer Erik Messerschmidt, production designer Donald Graham Burt, and composers Trent Reznor and Atticus Ross, among others. Andrew Kevin Walker’s screenplay is broken into chapters, a conceit which seldom works to any ..read more

I think I’ve just seen the first minimalist biopic ever made. Most movies about famous people’s lives come from the opposite direction, embellishing their feats, triumphs and failures. This one simply observes, almost without comment, the—uh—unusual relationship between Priscilla and Elvis Presley, from the time she was 14 years old to the day she walked out on the singing star. Writer-director Sofia Coppola has done her most crucial job well, casting Cailee Spaeny as Priscilla and Jacob Elordi as Elvis. Elordi adopts a good-enough impression of Elvis to enable us to accept him in the role, an ..read more

Like many or most of you, I’ve watched Annette Bening and Jodie Foster give fine performances for years and years, but I got so wrapped up in NYAD –and their exceptional work—that I allowed myself to believe that they really were the women they were playing. That’s called suspension of disbelief, and it made viewing the movie a truly emotional experience for me. Directors Jimmy Chin and Elizabeth Chai Vasarhelyi are documentary filmmakers (Free Solo, Return to Space) and mountain climbers, a felicitous choice to bring Julia Cox’s screenplay to life. They are also married, which gives them an u ..read more

CHARLIE CHAPLIN VS. AMERICA: When Art, Sex and Politics Collided by Scott Eyman (Simon & Schuster) At first glance this new book by premier film historian and biographer Eyman would seem to limit its coverage to the period of the 1940s—when Chaplin was burdened by a bogus paternity suit and accused of being a Communist—until his death on Christmas Day, 1977. But Eyman incorporates eye-opening details about Chaplin’s entire life and career throughout the narrative, making this one of the finest surveys of the man and the artist ever written. Like the author, I first fell in love with Chapli ..read more