Meet the ultimate aural debonair in Emanuel Edner’s artfully slick pop hit, My Dear
A&R Factory
by Amelia Vandergast
1h ago
If The Last Dinner Party added one more guest, based on the zanily baroque theatrics in the title single, My Dear, from his debut EP, Emanuel Edner would be the guest of honour. Edner, who deserves to go down in history as the ultimate aural debonair, created the ultimate equilibrium between dark and twisted musical theatre and a slick electro-pop aesthetic that would be equally at home in the Kraftwerk discography. As the track progresses, the synth-swathed groove pockets deepen with the licks of funk and modernised blues, refusing to fit within the parameters of pigeonholes in the process. Y ..read more
Visit website
Drum n Bass entered into a new evocative era with Joy Doc’s All of Me
A&R Factory
by Amelia Vandergast
9h ago
Joy Doc’s latest single, ‘All of Me‘, is a compelling showcase of her multifaceted talent as a drum and bass producer, vocalist, songwriter, DJ, and pianist. Hailing from London, Joy Doc has been carving a niche in the UK’s electronica scene, and this track is an undeniable testament to her superlative prowess. The track commences with an ornate orchestral introduction, setting an evocative stage for what’s to come. As Joy Doc’s vocals enter, “Oh Lorde,” will be the first thing on your mind due to the striking resemblance and depth in her voice. These vocals, layered over the sound of hammered ..read more
Visit website
Nick Cody and the Heartache – Covering These Tracks Vol II: An Americana Tribute to the Art of Song Interpretation
A&R Factory
by Amelia Vandergast
12h ago
Nick Cody and the Heartache’s latest album, “Covering These Tracks Vol II,” is a masterful reinterpretation of eight beloved singles through an Americana folk rock lens. This Leeds-based artist, along with his band has created a collection that resonates with warmth and soul. The album features a diverse range of covers, including Bruce Springsteen’s “Atlantic City,” Nick Cave’s “Nobody’s Baby Now,” and Ray Wylie Hubbard’s “Name Droppin’.” Each track is meticulously reworked, maintaining the original’s spirit while infusing it with a unique folk-rock essence. The result is a cohesive collectio ..read more
Visit website
Deully – This Long Road: A Resilient Journey Through Rock and Recovery
A&R Factory
by Amelia Vandergast
1d ago
Deully, the solo project of the independent Canadian rock virtuoso, Darren Sawrenko, has added to his accoladed discography by releasing his eagerly-awaited latest LP, This Long Road, and this time, his stellar songwriting stripes are bolstered by a lyrical intensity which provides a candour-fuelled exposition on his ongoing battle with mental health and recovery. Each of the singles on the LP is a reflection of his psyche at the time of writing. The title single is entrenched in the agony and the glimpses of hope of acknowledging that the road to recovery necessitates fortitude and endurance ..read more
Visit website
Seßler/Zeeb packed a lyrical plea for compassion in a pop-rock ballad with ‘If No One’
A&R Factory
by Amelia Vandergast
1d ago
The superlatively soulful German pop duo, Seßler/Zeeb, sprinkled swathes of (Ziggy) stardust into the production of their 70s folk singer-songwriter-tinged rock-pop ballad, If No One, which implores the listener not to discard humanity and compassion in an era which is becoming increasingly hard to bear. Over the gentle major piano keys, the lyrics find a way of directly engaging you, pulling you into the plea to bolster the strength of humanity by one act of kindness at a time. The reprise of “if no one really cares” affirms that feeling as though you’re all alone in your plights is one of th ..read more
Visit website
In Conversation: Frostbyt3 Breaks Down ‘OUTCHA MOUTH’ and Talks New Horizons
A&R Factory
by Amelia Vandergast
2d ago
This week, we explored the defiance and high-energy expression in Frostbyt3’s latest track, “OUTCHA MOUTH,” featuring Juice Box and ETHNL. Released on April 12th, this single marks a significant shift from Frostbyt3’s earlier pop and R&B influences, diving into a realm of gritty, experimental rap with a live-performance feel designed to rally the crowd. In this interview with A&R Factory, Frostbyt3 reveals the inspiration behind the creation of an anthem that not only challenges the negativity from others and self-doubt but also sets the stage for a much-anticipated album. Dive into th ..read more
Visit website
Vanguarde anchored in nostalgia and aimed at truth in his indie rock exposition of the trappings of conspiracy theories, Lost Inside a Hole
A&R Factory
by Amelia Vandergast
2d ago
Vanguarde’s latest single, “Lost Inside a Hole,” anchors indie rock fans in the comforting nostalgia of the 90s Britpop era, in the same vein Mansun, while delivering some uncomfortable truths to those lost in the trenches of conspiracy through fear of confronting material reality. Rather than berating, the single extends an olive branch to pull listeners back from the dark, bitter realities of conspiracy theory knitting circles. Through each note of this expansive indie rock allegory, compassion resonates deeply, ensuring the song’s message of empathy and understanding cuts through the noise ..read more
Visit website
Emotional Chaos Unravels in the Melancholy of Magenta Wave’s Indie Rock Allegory, Why Am I In Love With You
A&R Factory
by Amelia Vandergast
2d ago
Magenta Wave’s latest single, “Why Am I In Love With You,” vocally tears at the heartstrings with a fervency akin to Thom Yorke and Frightened Rabbit’s Scott Hutchinson. This track is an atom bomb of melancholy that flips the usual narrative of romanticism upside down. It melodically implores listeners to explore the agony of falling in love when your relationship with yourself is on unsteady ground. With the guitars sonically visualising the disorientation of losing control under another’s influence, and the rhythm section driving this tormented vignette forward, the vocals find an achingly a ..read more
Visit website
Brikcs shattered boundaries and entered innovation’s nirvana with ‘King’
A&R Factory
by Amelia Vandergast
3d ago
Brikcs, a visionary from the ethereal edges of music’s evolving landscape, delivered a profound auditory experience in his latest single, King. With a foundation laid by a Mogwai-meets-Portishead neo-classic intro of eloquent keys and phantasmically distorted vocal notes, the track boldly transitions into the dark territories of trap. If you went down the rabbit hole and instead of finding wonderland you entered innovation’s nirvana and met your demons, your trip would come a close visceral second to hitting play on King. The artistic juxtaposition in King — between harsh, ensnaring bars and t ..read more
Visit website
Take a lush leap into etherealism with Etherdene’s indie synth-pop exploration of aftermaths, The End
A&R Factory
by Amelia Vandergast
3d ago
Singer, songwriter, producer and all-around ephemeral aural icon Etherdene reached the paragon of indie electro-pop perfection with their latest single, The End. Titularly, the release is definitive as they come; sonically, the single is limitless. The ethereal air, which breathes just as much through the transcending tones of the vocal lines as the scintillating synth lines that pay tribute to the new wave trend, is intoxicating from the first emotionally charged progression. As the lyrics explore the aftermath of a breakup, proving that the love that once endured never dies but takes another ..read more
Visit website

Follow A&R Factory on FeedSpot

Continue with Google
Continue with Apple
OR