The Ministry of Ungentlemanly Warfare review – Guy Ritchie’s fun wartime romp
Culture | The Guardian
by Benjamin Lee
10h ago
Henry Cavill leads a ragtag group on an unlikely mission in this shaggy, exaggerated account of Operation Postmaster Guy Ritchie’s inevitable graduation from London to Hollywood has had its moments – the rambunctious zip of the first Sherlock Holmes, the stylish homoeroticism of The Man from UNCLE – but it soon felt as if the once electrifying film-maker had been swallowed up by the system. A middling Sherlock sequel, a pointless King Arthur non-starter and a soulless Aladdin remake seemed like enough to push not just fans away but Ritchie himself. He’s since found a happier medium, making fil ..read more
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Stephen Colbert on Trump’s hush-money case: ‘The trial of what feels like a century’
Culture | The Guardian
by Guardian staff
10h ago
Late-night hosts discuss the second day in Donald Trump’s criminal trial, from naps to jury selection to the actual allegations of covering up hush money Late-show hosts talked jury selection, courtroom sketches and gag orders from the second day of Donald Trump’s criminal trial in New York ..read more
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‘Women are not usually seen to be resting’: Danielle Mckinney’s portraits of repose
Culture | The Guardian
by Veronica Esposito
15h ago
The photographer turned painter specializes in images of Black female solitude, luxuriating in the importance of relaxing As a painter, Danielle Mckinney has just one subject: Black women in moments of repose. From that singular basis she has managed to produce years of acclaimed artwork, developing an enviable style that has drawn the attention of, among others, Jay-Z and Beyoncé. Her new show at Marianne Boesky Gallery, titled Quiet Storm, offers 12 works that suggestively combine elements of exhalation and simmering intensity. Hold your Breath, one of the displayed works, is as good a start ..read more
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Under the Bridge review – Lily Gladstone leads respectful yet bland true crime drama
Culture | The Guardian
by Adrian Horton
15h ago
The recent Oscar nominee plays a cop investigating the brutal death of a teen in this noble but clunky retelling of a horrifying crime on Hulu As a true crime drama in the year 2024, Hulu’s Under the Bridge at least knows the giant potholes of the genre to avoid. The eight-episode limited series starring Lily Gladstone and Riley Keough, an adaptation of Rebecca Godfrey’s 2005 book on a sensational murder in Canada, knows not to glorify law enforcement as hyper-competent, or to privilege perpetrators’ emotional lives over a faceless victim’s, or to depict gratuitous violence. “I think people sh ..read more
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‘The money is not real – it’s a feckless level of wealth’: the inside story of the biggest art fraud in American history
Culture | The Guardian
by Charlotte Edwardes
15h ago
Orlando Whitfield was a student when he became best friends with Inigo Philbrick, ‘the art world’s Bernie Madoff’. He talks about how their decade of hustling would lead one to a breakdown – and the other to jail • ‘The day we tried to bag a Banksy’: read an extract from Whitfield’s explosive exposé Orlando Whitfield is a youngish man, shy, with a reddish beard. His hands are aggressively tattooed, as if they’d been laid, backs down, on wet newspaper. The ink is a form of armour, he says, like his pranking brand of humour (for a while his iCloud hotspot was “Lord Lucan’s iPhone”). But he’s ear ..read more
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Country star Lainey Wilson on her long road to Grammy glory: ‘Maybe I wasn’t as crazy as people thought!’
Culture | The Guardian
by Chris Godfrey
15h ago
After slogging through poverty, indifference and Hannah Montana impersonations, the US singer is an award-winning sensation and selling out a UK tour. She explains why her genre is going mainstream like never before You get the sense the country music establishment really had no choice but to embrace Lainey Wilson: that she wasn’t going anywhere until they did. When the singer-songwriter arrived in Nashville in 2011, she parked her 20-foot bumper pull trailer on a studio’s lawn and anchored it with rocks. Then 19, she had lived country music all her life. But Nashville is what they call a “10 ..read more
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Adventures in Volcanoland by Tamsin Mather review – fire and brimstone
Culture | The Guardian
by Rachel Aspden
15h ago
A magical scientific exploration of volcanoes, and how they’ve shaped both nature and human destiny Volcanoes are the homes of gods, language tells us – across most of Europe, people who may never have laid eyes on one call them after the smoking forge of Vulcan, Roman god of fire and smithery. (In the tectonic hotspot of Iceland, where people live cheek-by-jowl with 130-odd volcanoes, they are simply “fire mountains”.) Even in our unenchanted modern age, they are capable of inspiring a kind of divine madness in devotees such as the French volcanologists Katia and Maurice Krafft, who died in a ..read more
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John Lennon and Paul McCartney’s sons team up for new single
Culture | The Guardian
by Ben Beaumont-Thomas
15h ago
James McCartney’s acoustic ballad Primrose Hill, co-written with Sean Ono Lennon, was drawn from childhood vision in Scotland The most famous songwriting credit in history, Lennon-McCartney, has been resurrected – though for a song written by the Beatles’ sons. Primrose Hill, a single by Paul McCartney’s son James, has been co-written with Sean Ono Lennon: an acoustic ballad with a shuffling backbeat and ruminative guitar soloing ..read more
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Forget Back to Black. Here are eight great fake music biopics
Culture | The Guardian
by Shaad D'Souza
15h ago
If you really want to know about making music, fame, exploitation, addiction, egos and challenging personalities – look to fiction. Here are our favourites Making a movie about an iconic musician can be perilous – there are so many stakeholders with differing versions of events, and so many diehard fans looking for a perfect representation of their hero, that many music biopics end up being sanitised and glib. Look no further than Back to Black, Sam Taylor-Johnson’s Amy Winehouse biopic, for a perfect example of a film that attempts to satisfy every involved party and ended up offending a lot ..read more
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The Hypocrite by Jo Hamya review – sun, sex, scenery and family guilt
Culture | The Guardian
by Sarah Moss
15h ago
A playwright brings unresolved memories to the stage in this clever study of art, dysfunction and generational difference Jo Hamya’s first book, Three Rooms, was a polemical novel about middle-class precarity, sophisticated but sometimes bowed by the weight of its thematic concerns. Her second, The Hypocrite, is a novel about a play about a novel. It begins with a mother on a beach in Sicily watching her husband and toddler daughter paddling. The mother doesn’t much like the father, who “worked on his novel in the other room” for much of the holiday. She resents her invisibility. And then ..read more
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