“talk shit” is the latest from Neomi Speelman, better know by her stage name néomí, off of her album “somebody’s daughter.” We’ve covered her her previously here, and not much has changed on our thoughts; s stunning folk-bedroom-dream pop-aesthetic in the vein Phoebe Bridgers, Bon Iver, or Big Thief. “talk shit” is an understated gem on an album full of them – a diamond in a field of diamonds, if you will. Instrumentally this is a guitar-forward track with a cool wispy effect thrown in (I think a guitar, but maybe a synth – you’ll see what I mean) that meshes incredibly well with Speelman’s vo ..read more

45 Degrees is the latest from LA based Laurel Arnell-Cullen, aka Laurel, released in anticipation of her forthcoming album “Palpitation” due out June 14th. This is one hundred percent a delightful pop romp, with Laurel’s impeccable pipes blazing the way. I know I mention it a lot, but having played bass, I can’t help but notice the sick bass line throughout the track meshing with light synth effects and occasional fleeting guitar. Fans of Lorde, Charli XCX, or Florence + The Machine’s brand of pop would find a lot to enjoy, and then some, with Laurel’s talents. Speaking to the track Laurel had ..read more

“Lost My Way” is the latest single from Paris ’82, a project from electronica singer/songwriter Ethan Farmer. I couldn’t find much info on him other than his IG and X; but through the intriguing mystique, he seems like a cool dude from what I could see. The track itself is incredibly groovy and even me, who can’t carry a rhythm to save my life, was able to bump my head to the beat with little difficulty (I might even be able to dance, because it’s just that dang good). The song itself is about personal struggles and strength, giving an even more uplifting message to the whole shebang. Anyone w ..read more

A recent poster for a show at Amy’s Place in Buffalo described Gatto Black as SSRI post-hardcore and it’s pretty spot on. Sal Mastrocola, the group’s main songwriter, has an anxious and very emo take on hardcore. Mastrocola popped onto the scene a few years back with two 2021 singles and the 2022 EP, 2 Stressed 2 B Blessed, released through local label, Triple Hammer Records. The group’s sound is nostalgic for the emo side of 2000s skramz, but takes it to the next level by moshing it with modern sounds of hardcore, post-hardcore, and even alt-metal. The group’s latest release “Escape You ..read more

YUS is the project of Belgium-born, Los Angeles-based Youceff Yunque Kabal. His latest offering is his fourth, the seven-song Hyperspiritual, a unique blend of synthesizer, driving beats, and auto-tuned vocals that are rooted in a unique source of inspiration. With such a conceptual origin, sometimes it’s better to let the artist themselves explain where they’re coming from – here’s a bit about Hyperspiritual from YUS: “The idea stemmed from a Facebook post from Darragh Nolan, who releases music as Sacred Animals, in which he evoked his belief that music comes from spirit, and return ..read more

Ski Team is the brainchild of Lucie Lozinski, and “Thank You Jalen Brunson” is her latest (Jalen Brunson is the point guard for the Knicks, for the sports averse). Hilariously written as a follow up and refutation to her previous song 2020’s “Knicks Suck,” this is a cheeky pop song and a love letter to a team that has caused no small amount of grief to their fans (but it’s okay, they’re in round two year). The track itself is filled with light poppy/jazzy accompaniment; a shimmering piano here, a bass riff thrown in here and there. Lozinski’s vocals are definitely the focus here though, becaus ..read more

“What I’m On About” is the latest from Faded Shades, a rockin’ trio based out of southern London. It was written about a debaucherous night in Amsterdam, specifically a “recollection of the frayed edges between tripping and reality” (gee, I hope they’re more careful; you might fall). This track is filled to the brim with energetic guitars and bombastic vocals; you can tell these guys punch way above their weight when it comes to sound. I of course mean this in a good way, like they know they belong in a stadium but will still rock you the fuck out with the same intensity at medium venue o ..read more

“Secret Shine” is the tightly produced single from Swedish band The Legends. Spearheaded by Johan Angergård, who has his hands in a lot of projects including Club 8, who we’ve covered a couple times here and here. Additionally, he’s involved with Acid House Kings and Eternal Death and apparently has a penchant for coming up with excellent band names and being stylish as fuck. Seriously, do a Google image search of this man and tell me he doesn’t look friggin’ cool. The track itself is obviously some type of trick. My buddy Nick could probably explain why, but this track clocks in at 1:40 and d ..read more

“Wake Up” is the latest from slowcore brother duo Joyer, off of their album Night Songs. We’ve previously covered Nick and Shane Sullivan with their prior single “Star” here. Interestingly enough, “Wake Up” is the track right before “Star” on the album, with the latter providing a bit more upbeat energy from the former. “Wake Up” is very much a guitar-forward track, featuring a steady stream of distorted geetar that meshes oh so well with Sullivan’s whisper-like vocals (picture perfect, considering the subject). The last minute or so of the track gave me some early Modest Mouse vibes ..read more

“たりない” or (from what I could gather) “not enough/insufficient” is the latest from mysterious indie group (or person) andstill. I’m usually pretty good with finding stuff on the internet, but andstill seems to be relatively new and is virtually nowhere that I could find. The track itself is, in a word, beautiful. In more than one word it’s an impeccably crafted bedroom pop track with a nice inclusion of electronica sensibilities. You’ll also be very confused at a certain point that I won’t ruin and think that you’re listening to an entirely different song (in a good way). I’m assuming Yuki Nitt ..read more