The New Yorker Radio Hour
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The New Yorker Radio Hour is a weekly program presented by the magazine's editor. Profiles, storytelling, and insightful conversations, hosted by David Remnick.
The New Yorker Radio Hour
3d ago
Jerry Seinfeld used to have a comedy bit about the invention of the Pop-Tart, but when his friend Spike Feresten—who wrote the famous “Soup Nazi” episode of “Seinfeld”—suggested it as a topic for a movie, even Seinfeld said “There’s no movie here.” But they workshopped the story, turning the invention of the Pop-Tart into a nutty postwar epic. Seinfeld has written films before, including “Bee Movie,” but this time he’s making his début as a director with “Unfrosted.” (The production did not, he says, have permission from Kellogg’s.) The comic talks with David Remnick about making a life in com ..read more
The New Yorker Radio Hour
5d ago
Probably far more people have now seen Judi Dench as M—the intelligence chief who’s the boss of James Bond—than anything she’s done in Shakespeare. With that unmistakably rich voice, she played royalty in “Mrs. Brown” and in “Shakespeare in Love.” But it is in Shakespeare’s plays, onstage, that Dench made her home as an actor, performing nearly all the major female roles in a stage career of some 60 years. It’s not just that the language is beautiful, she thinks; Shakespeare “understood about every single emotion that any of us might feel at any time.” Dench has distill ..read more
The New Yorker Radio Hour
1w ago
Both anecdotally and in research, anxiety and depression among young people—often associated with self-harm—have risen sharply over the last decade. There seems little doubt that Gen Z is suffering in real ways. But there is not a consensus on the cause or causes, nor how to address them. The social psychologist Jonathan Haidt believes that enough evidence has accumulated to convict a suspect. Smartphones and social media, Haidt says, have caused a “great rewiring” in those born after 1995. The argument has hit a nerve: his new book, “The Anxious Generation,” was ..read more
The New Yorker Radio Hour
1w ago
At a band rehearsal in Brooklyn, Rachel Syme talks to Maya Hawke about switching gears between acting and music. In “Stranger Things,” Hawke plays Robin Buckley, a band geek who cracks a Russian code in her spare time; she also recently appeared in films including “Asteroid City” and “Maestro.” “When I’m acting, I inhabit the character that I’m playing,” Hawke says, whereas when fronting a band, “I feel like I’m me… But sometimes I have to screw my courage to the sticking place, and that’s a bit of a character. It’s me, [but] willing to stand up onstage.” Hawke discusses the inspiration for he ..read more
The New Yorker Radio Hour
2w ago
Texas has multiple abortion laws, with both criminal and civil penalties for providers. They contain language that may allow for exceptions to save the life or “major bodily function” of a pregnant patient, but many doctors have been reluctant to even try interpreting these laws; at least one pregnant woman has been denied cancer treatment. The reporter Stephania Taladrid tells David Remnick about how two lawmakers worked together in a rare bipartisan effort to clarify the limited medical circumstances in which abortion is allowed. “If lawmakers created specific exemptions,” Taladrid explains ..read more
The New Yorker Radio Hour
2w ago
The New Yorker’s newest staff member, Justin Chang, shares three films that he’s excited to see released in 2024: “Janet Planet,” the début feature film directed by the Pulitzer Prize-winning playwright Annie Baker; “Blitz,” a wartime drama by Steve McQueen, the director of “12 Years a Slave”; and “Furiosa: A Mad Max Saga,” the widely anticipated new entry in George Miller’s Mad Max series—which, at forty-five years years old, predates Justin Chang.  ..read more
The New Yorker Radio Hour
3w ago
Across much of the country, Republican officials are reaching into K-12 classrooms and universities alike to exert control over what can be taught. In Florida, Texas, and many other states, laws now restrict teaching historical facts about race and racism. Book challenges and bans are surging. Public universities are seeing political meddling in the tenure process. Advocates of these measures say, in effect, that education must emphasize only the positive aspects of American history. Nikole Hannah-Jones, the New York Times Magazine reporter who developed the 1619 Project, and Jelani Cobb, the ..read more
The New Yorker Radio Hour
3w ago
By the standards of any musician, Rhiannon Giddens has taken a twisting and complex path. She was trained as an operatic soprano at the prestigious Oberlin Conservatory of Music, and then fell almost by chance into the study of American folk music and took up the banjo. With like-minded musicians, she founded the influential Carolina Chocolate Drops, which focussed on reviving the repertoire of Black Southern string bands. Giddens plays on Beyoncé’s new country album, which boldly asserts the Black presence in country music. But her view of Black music is unbounded by genre: “There’s been Blac ..read more
The New Yorker Radio Hour
1M ago
Alicia Keys’ new musical is opening on Broadway about a ten-minute walk from where she grew up in Hell’s Kitchen. She describes the New York City neighborhood in the eighties as a “place where anyone who didn’t belong anywhere accumulated.” She tells David Remnick, “There was this unique balance between that grime and the potential of Broadway” just steps away. “Hell’s Kitchen” is the name of the musical that incorporates her songs to tell a story about a teen-ager named Ali who is growing up and finding her love of music, and it is even set in the apartment building where Keys was raised. Yet ..read more
The New Yorker Radio Hour
1M ago
In 2016, before most people imagined that Donald Trump would become a serious contender for the Presidency, the New Yorker staff writer Adam Gopnik wrote about what he later called the “F-word”: fascism. He saw Trump’s authoritarian rhetoric not as a new force in America but as a throwback to a specific historical precedent in nineteen-thirties Europe. In the years since, Trump has called for “terminating” articles of the Constitution, has celebrated the January 6th insurrectionists as political martyrs, and has called his enemies animals, vermin, and “not people,” and demonstrated ..read more