Percival Everett’s Philosophical Reply to “Huckleberry Finn”
The New Yorker » Culture
by Lauren Michele Jackson
2d ago
In his new novel, “James,” Everett explores how an emblem of American slavery can write himself into being ..read more
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New York City Travel Posters Through the Decades
The New Yorker » Culture
by Nicholas D. Lowry
2d ago
Images from a century past showcase colorful dreams of a magnetic metropolis ..read more
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You Say You Want a Revolution. Do You Know What You Mean by That?
The New Yorker » Culture
by Gideon Lewis-Kraus
4d ago
Two new books, by Fareed Zakaria and Nathan Perl-Rosenthal, demonstrate the concept’s allure and perils ..read more
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When New York Made Baseball and Baseball Made New York
The New Yorker » Culture
by Adam Gopnik
4d ago
The rise of the sport as we know it was centered in Gotham, where big stadiums, heroic characters, and epic sportswriting once produced a pastime that bound a city together ..read more
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Briefly Noted Book Reviews
The New Yorker » Culture
by
4d ago
“Ashoka,” “Pax Economica,” “Here in Avalon,” and “Bitter Water Opera ..read more
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Mark Ulriksen’s “Standing Guard”
The New Yorker » Culture
by Françoise Mouly
4d ago
The artist depicts the tail-wagging occasion of the first signs of spring ..read more
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The Escher Quartet and Igor Levit Test Musical Limits
The New Yorker » Culture
by Alex Ross
4d ago
The chamber ensemble played all six of Bartók’s string quartets, and the pianist played devilishly difficult transcriptions of symphonic scores by Mahler and Beethoven ..read more
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Michael Imperioli Knows Art Can’t Save Us
The New Yorker » Culture
by Zach Helfand
4d ago
The “White Lotus” and “Sopranos” star discusses his formative first encounter with Martin Scorsese, his philosophy of acting, and the climate protest that just disrupted his Broadway début ..read more
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Life in a Luxury Hotel for New Moms and Babies
The New Yorker » Culture
by Clarissa Wei
4d ago
My month of rest, relaxation, and regret at a Taiwanese postpartum-care center ..read more
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The Form-Blurring Fury of “Do Not Expect Too Much from the End of the World”
The New Yorker » Culture
by Justin Chang
6d ago
Radu Jude’s TikTok-tinged movie can be breathtakingly funny, but the absurdity is rooted in a powerful sense of outrage ..read more
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