By Hiromu and raemz. Released in Japan as “Chitose-kun wa Ramune Bin no Naka” by Gagaga Bunko. Released in North America by Yen On. Translated by Evie Lund. It does sometimes occur to me that my reviews are, of course, telling you my own opinions, which frequently do not match up with the opinions of other light novel fans. So let’s get this out of the way fast: I really loved this book, and was on the edge of my seat reading it. This is despite the fact that I can easily see about ten different reasons why it would piss off most readers who are not me. First of all, it’s 406 pages of nothing ..read more

By FUNA and Touzai. Released in Japan as “Rōgo ni Sonaete Isekai de 8-Man-Mai no Kinka o Tamemasu” by K Lanove Books. Released in North America by Kodansha Books. Translated by Luke Hutton. (A reminder that the English Vol. 4 is the equivalent of the Japanese Vol. 5.) Folks, I’m gonna talk about it again. Just as I did with the last Potions volume. And MMAA as well. And, honestly, Kuma Bear, which is not by the same author but does the same thing and appeals to the same audience. What the hell is with all the child labor love in these books? Every series seems to bring a tragic tale of orphans ..read more

By Fuyu Aoki and Minori Aritani. Released in Japan as “Doinaka no Hakugai Reijо̄ wa О̄to Elite Kishi ni Dekiai Sareru” by DRE Novels. Released in North America by J-Novel Heart. Translated by Dawson Chen. Yes, as you can see from the cover art showing a wedding, this is the final volume in the series. (The imprint has yet to let a light novel series go beyond Book 3, so that’s also not a surprise.) Actually, lack of surprise is a feature of this entire book. Every single plot point in this book can be seen coming from at least ten pages away. That said, this is perfectly fine. You really don’t ..read more

By Ichiei Ishibumi and Miyama-Zero. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell. Humor is always subjective, and what is funny to one person won’t be funny to someone else. So, as you can imagine, this review is even more my personal opinion than most of them are. This isn’t helped by this volume being the second short story volume, meaning that it almost by necessity consists of funny stories, as any drama needs to be saved for the main series. I I will note that my enjoyment of these stories was in inverse to how much Issue was ..read more

Blue Box, Vol. 9 | By Kouji Miura | Viz Media – This is still a sports-lite volume of the series, which is good news for the reader but very bad news for Hina, who desperately insists she does not need an answer to her confession but she’s gonna get one anyway. Blue Box is, at nine volumes, assured of being a Jump success story, so you’d expect the author to start extending plotlines. As such, I really appreciate it’s not done here. Taiki knows that he’s starting to see Hina as a girl rather than a friend, and her confession is just making him stress. So he has to be fair to Chinatsu and rejec ..read more

By Shinji Cobkubo and K Akagishi. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jake Humphrey. I had wondered in previous reviews why Sabikui Bisco wasn’t simply in Shonen Jump, given its sensibilities, its dialogue, and its homoeroticism, but I think after this volume I’ve figured it out. Jump is a title where, if the author said “hey, I’ve decided that for the next 26 weeks I want this series to be a samurai drama starring a bunch of cats”, editorial would say, “No, you will not be doing that”. But this isn’t a Jump manga, it’s a light novel series, a ..read more

SEAN: April is lurching towards its conclusion. What can we find? ASH: Hopefully my mind; try as I might, it’s convinced that March comes next. SEAN: There’s a lot of print Airship titles, as we see Free Life Fantasy Online: Immortal Princess 6, The Most Heretical Last Boss Queen: From Villainess to Savior 6, She Professed Herself Pupil of the Wise Man 10, and The Weakest Tamer Began a Journey to Pick Up Trash 6. In early digital we see The Mimosa Confessions (Mimosa no Kokuhaku), an LGBT novel from the creator of The Tunnel to Summer, the Exit of Goodbyes. A young man gradually drifts away f ..read more

By Yuumikan and KOIN. Released in Japan as “Itai no wa Iya nano de Bōgyoryoku ni Kyokufuri Shitai to Omoimasu” by Kadokawa Books. Released in North America by Yen On. Translated by Andrew Cunningham. I’ve said before that I think the Bofuri series works best when it’s just Maple and Sally taking on a fresh new challenge, and the author agrees. Actually, the author may be starting to agree a bit TOO much. This is the 3rd book in a row that’s been about 75% Maple and Sally, 25% rest of the cast. I joked on social media that the extended scene with Kanade was inserted at the request of the editor ..read more

By Matsuri Isora and Nanna Fujimi. Released in Japan as “Silent Witch” by Kadokawa Books. Released in North America by Yen On. Translated by Alice Prowse. I had been referring to this as Silent Witch 4.5, which some retailers are using, likely to better differentiate it from the 4th volume. But the author states in the afterword that they did not want to have it be a .5, and I get that. Generally speaking it’s hard enough when you realize that the next volume is going to be a short story volume, and when the volume number ends in .5 it can be even more highly variable. You never know if you’re ..read more

SEAN: For my pick this week I think I’ll go for My Gemini. Licenses from Asuka are pretty rare to begin with, and this dark twin mystery sounds pretty good. It’s also complete in one volume. MICHELLE: Me, too, and for all the same reasons! ASH: I’ll join you in picking My Gemini as the debut release I’m most interested in this week. But I’ll also admit to being rather curious about I Want You To Make Me Beautiful!, too. ANNA: I’m not going to go against this emerging consensus! The post Pick of the Week: My Gemini first appeared on Manga Bookshelf ..read more